1 00:00:22,230 --> 00:00:23,770 CHINESE GUY BEAT TO DEATH. 2 00:00:23,800 --> 00:00:25,770 DOG WALKER FOUND HIM THIS MORNING. 3 00:00:25,800 --> 00:00:28,210 SAYS HE WASN’T HERE LAST NIGHT. 4 00:00:28,230 --> 00:00:31,070 LOOKS LIKE BLUNT FORCE TRAUMA ‐‐ 5 00:00:31,100 --> 00:00:33,070 STRUCK A COUPLE TIMES. 6 00:00:33,100 --> 00:00:34,570 ANDY AND SORENSON COMING? 7 00:00:34,610 --> 00:00:37,480 THEY’RE BACK AT THE HOUSE WAITING ON A KIDNAP VICTIM. 8 00:00:37,510 --> 00:00:39,580 ALL RIGHT, WE’LL START A CANVAS. 9 00:00:39,610 --> 00:00:41,740 HEY, FELLAS, THE GIRL IN THE RED 10 00:00:41,780 --> 00:00:44,050 THINKS THE D. O. A. MIGHT BE HER FATHER. 11 00:00:44,080 --> 00:00:46,050 THANKS. 12 00:00:46,080 --> 00:00:48,950 IS IT MY FATHER? IS IT HIM? 13 00:00:48,990 --> 00:00:51,460 HI. DETECTIVE BALDWIN JONES. MY PARTNER GREG MEDAVOY. 14 00:00:51,490 --> 00:00:53,720 YOU THINK YOU KNOW WHO’S DOWN THERE? 15 00:00:53,760 --> 00:00:55,420 I JUST WANT TO MAKE SURE IT’S NOT MY FATHER. 16 00:00:55,460 --> 00:00:56,830 THAT’S HIS CAR AND HE’S MISSING. 17 00:00:56,860 --> 00:00:58,730 WHAT BROUGHT YOU HERE? 18 00:00:58,760 --> 00:01:01,460 WE OWN A RESTAURANT. THIS WAS HIS LAST DELIVERY ADDRESS. 19 00:01:01,500 --> 00:01:03,160 ABOUT WHAT TIME DID HE GO OUT? 20 00:01:03,200 --> 00:01:05,670 10:00, I THINK. HE SOMETIMES WORKS ALL NIGHT PREPPING, 21 00:01:05,700 --> 00:01:07,240 BUT HE WASN’T THERE THIS MORNING, 22 00:01:07,270 --> 00:01:09,400 SO WE STARTED DRIVING AROUND. IT’S HIM, ISN’T IT? 23 00:01:09,440 --> 00:01:10,910 IT’S MY FATHER DOWN THERE. 24 00:01:10,940 --> 00:01:13,140 YOU CAN TAKE A LOOK IN A MINUTE, MA’AM. 25 00:01:13,180 --> 00:01:14,650 THEY’RE JUST FINISHING UP. 26 00:01:14,680 --> 00:01:15,810 [ SPEAKING CHINESE ] 27 00:01:15,850 --> 00:01:17,820 SHE KNEW HE SHOULDN’T HAVE COME HERE. 28 00:01:17,850 --> 00:01:19,920 THEY HAVE ZERO REGARD FOR HUMAN LIFE. 29 00:01:19,950 --> 00:01:21,350 WHO ARE WE TALKING ABOUT? 30 00:01:21,390 --> 00:01:23,160 THE PEOPLE WHO LIVE IN THIS AREA. 31 00:01:23,190 --> 00:01:24,700 WE WERE RIPPED OFF THREE TIMES 32 00:01:24,720 --> 00:01:27,090 BEFORE MY FATHER FINALLY SAID NO. 33 00:01:27,130 --> 00:01:29,270 THEN WHY’D HE COME HERE LAST NIGHT? 34 00:01:29,290 --> 00:01:30,960 SO, YOU’RE SAYING IT’S HIS OWN DAMN FAULT? 35 00:01:31,000 --> 00:01:32,770 NO. I’M ASKING WAS THERE SOMETHING SPECIAL 36 00:01:32,800 --> 00:01:34,270 ABOUT THE ORDER THAT MADE HIM COME BACK HERE? 37 00:01:34,300 --> 00:01:36,200 SO, WHAT, WE’RE GREEDY? IS THAT IT? 38 00:01:36,230 --> 00:01:37,370 I DIDN’T SAY THAT, MA’AM. 39 00:01:37,400 --> 00:01:39,530 [ SPEAKING CHINESE ] 40 00:01:39,570 --> 00:01:41,140 SHE WANTS TO KNOW CAN WE LOOK NOW? 41 00:01:41,170 --> 00:01:42,800 CAN WE, PLEASE? 42 00:01:42,840 --> 00:01:43,870 COME ON. 43 00:01:46,580 --> 00:01:50,750 HEY, DIANE, TAKE THE BAG BACK A MINUTE. 44 00:01:53,590 --> 00:01:57,000 [ SOBBING ] 45 00:03:20,810 --> 00:03:21,980 NO, THAT’S OKAY. 46 00:03:22,010 --> 00:03:24,720 THERE’S A LITTLE PARK TWO BLOCKS EAST. 47 00:03:24,740 --> 00:03:27,210 KATIE, JUST SEE DO YOU STRIKE OUT IN THE CITY 48 00:03:27,250 --> 00:03:29,390 BEFORE GOING TO BROOKLYN, ALL RIGHT? 49 00:03:29,410 --> 00:03:32,080 AND DON’T SIGN ANYTHING BEFORE I SEE THE PLACE. 50 00:03:32,120 --> 00:03:34,630 I GOT TO SEE IT FIRST. ALL RIGHT, I GOT TO GO. 51 00:03:34,650 --> 00:03:35,780 YEAH. 52 00:03:35,820 --> 00:03:37,220 KATIE GETTING A NEW PLACE? 53 00:03:37,260 --> 00:03:39,570 THEO NEEDS HIS OWN ROOM. SHE’S HELPING TO LOOK. 54 00:03:39,590 --> 00:03:41,990 WELL, HE’S GROWING UP. 55 00:03:42,030 --> 00:03:43,400 BIGGER EVERY DAY. 56 00:03:43,430 --> 00:03:45,440 Man: FELLAS, THIS IS THE GUY WE CALLED ABOUT. 57 00:03:45,460 --> 00:03:47,300 YEAH, HALF‐HOUR AGO. 58 00:03:47,330 --> 00:03:49,160 VICTOR POOLE, DETECTIVES SORENSON AND SIPOWICZ. 59 00:03:49,200 --> 00:03:51,170 WAIT TILL YOU HEAR HIS STORY. 60 00:03:51,200 --> 00:03:53,400 HE ‐‐ WHAT’S YOUR JOB AGAIN, SIR? 61 00:03:53,440 --> 00:03:55,250 LEGAL COUNSEL FOR THE IRS. 62 00:03:55,270 --> 00:03:57,340 HE FLAGGED US DOWN OFF TOMPKINS SQUARE PARK. 63 00:03:57,380 --> 00:03:59,520 SAYS HE’S BEEN KIDNAPPED THE LAST THREE DAYS. 64 00:03:59,540 --> 00:04:02,280 DISPATCHER’S GOT A MISSING PERSONS OUT ON HIM, 65 00:04:02,310 --> 00:04:03,750 AND, WELL, THE FBI WAS ALREADY UP ON IT. 66 00:04:03,780 --> 00:04:08,280 LET’S GET YOU A CUP OF COFFEE. 67 00:04:08,320 --> 00:04:10,650 HANG ON A MINUTE. OKAY. 68 00:04:13,460 --> 00:04:16,840 HEY, LIEU. MR. POOLE, THIS IS LIEUTENANT RODRIGUEZ. 69 00:04:16,860 --> 00:04:19,960 WHY DON’T YOU TELL US WHAT HAPPENED? 70 00:04:20,000 --> 00:04:22,500 THREE DAYS AGO I WAS WALKING FROM THE GROCERY 71 00:04:22,530 --> 00:04:24,700 TO MY APARTMENT NEAR 5th AVENUE AND 80th 72 00:04:24,740 --> 00:04:28,380 AT ABOUT 6:00 WHEN TWO MEN GRABBED ME, 73 00:04:28,410 --> 00:04:31,620 PUT A PILLOWCASE OVER MY HEAD, 74 00:04:31,640 --> 00:04:33,540 AND THREW ME INTO A VAN. 75 00:04:33,580 --> 00:04:34,880 PRETTY DARING. 76 00:04:34,910 --> 00:04:37,880 THEY GRABBED YOU, AND THEN WHAT? 77 00:04:37,920 --> 00:04:40,390 WELL, BILLY DROVE THE VAN 78 00:04:40,420 --> 00:04:43,890 WHILE TOM TOOK MY WALLET AND MY CELL PHONE. 79 00:04:43,920 --> 00:04:47,320 HE SAID THAT IF I DIDN’T GIVE HIM MY ATM PIN CODE, 80 00:04:47,360 --> 00:04:49,120 HE WAS GOING TO SLASH MY THROAT. 81 00:04:49,160 --> 00:04:51,690 AFTER THEY GOT THE MONEY, WE DROVE TO THIS PLACE ‐‐ 82 00:04:51,730 --> 00:04:54,700 A WHOREHOUSE ‐‐ WHERE THEY KEPT ME UNTIL THIS MORNING. 83 00:04:54,730 --> 00:04:56,700 WHY SO LONG? 84 00:04:56,740 --> 00:04:58,180 WELL, I THINK THEY WERE KEEPING ME 85 00:04:58,200 --> 00:05:01,140 SO THAT THEY COULD TAKE OUT MY DAILY MAXIMUM AT THE ATM. 86 00:05:01,170 --> 00:05:03,300 DID THEY KNOW YOU WERE COUNSEL TO THE IRS? 87 00:05:03,340 --> 00:05:04,840 I DON’T THINK SO. 88 00:05:04,880 --> 00:05:07,720 FROM MY UNDERSTANDING, YOU GUYS CARRY CREDENTIALS. 89 00:05:07,750 --> 00:05:09,690 WELL, YEAH, I HAD THEM IN MY OTHER POCKET, 90 00:05:09,710 --> 00:05:12,150 BUT THEY NEVER CHECKED IT, 91 00:05:12,180 --> 00:05:13,720 AND WHEN I GOT TO THE WHOREHOUSE, 92 00:05:13,750 --> 00:05:15,180 I TUCKED THEM UNDER A MATTRESS. 93 00:05:15,220 --> 00:05:16,720 CAN YOU DESCRIBE THIS WHOREHOUSE? 94 00:05:16,760 --> 00:05:20,870 THERE WERE ABOUT FIVE ROOMS WITH WHORES GOING IN AND OUT. 95 00:05:20,890 --> 00:05:23,490 YOU WERE IN PLAIN VIEW? 96 00:05:23,530 --> 00:05:26,910 NO, MY DOOR WAS CLOSED MOST OF THE TIME, 97 00:05:26,930 --> 00:05:28,760 BUT A PROSTITUTE DID SEE ME 98 00:05:28,800 --> 00:05:31,730 WHEN THEY INSISTED THAT I HAVE A FREEBIE, 99 00:05:31,770 --> 00:05:34,200 WHICH, OF COURSE, I REFUSED. 100 00:05:34,240 --> 00:05:35,370 OF COURSE. 101 00:05:35,410 --> 00:05:37,280 HOW DID YOU GET FREE? 102 00:05:37,310 --> 00:05:39,210 EARLY THIS MORNING 103 00:05:39,240 --> 00:05:41,210 THEY THREW ME BACK INTO THE VAN, 104 00:05:41,250 --> 00:05:44,220 TIED ME UP, AND DROVE ME TO AN ALLEY, 105 00:05:44,250 --> 00:05:47,080 WHERE THEY KICKED ME OUT FACE FIRST INTO A PUDDLE 106 00:05:47,120 --> 00:05:48,750 WHICH I ALMOST DROWNED IN. 107 00:05:48,790 --> 00:05:52,760 IT TOOK ME ABOUT AN HOUR TO GET FREE. 108 00:05:52,790 --> 00:05:55,390 MR. POOLE, BEFORE WE START BENDING OUR BACKS, 109 00:05:55,430 --> 00:05:57,640 BETWEEN YOU, ME, AND THAT COFFEE MUG, 110 00:05:57,660 --> 00:06:00,260 IS ANY PART OF YOUR STORY EMBELLISHED AT ALL, 111 00:06:00,300 --> 00:06:02,730 OR DID YOU LEAVE ANYTHING OUT? 112 00:06:02,770 --> 00:06:04,080 NO. 113 00:06:04,100 --> 00:06:06,070 THE GETTING SNATCHED OFF 5th AVENUE 114 00:06:06,100 --> 00:06:07,740 AND THE WHORE THEY FORCED ON YOU ‐‐ 115 00:06:07,770 --> 00:06:09,100 IS THERE A PROBLEM? 116 00:06:09,140 --> 00:06:10,770 WE’RE NOT SAYING WE DON’T BELIEVE YOU, 117 00:06:10,810 --> 00:06:12,770 IT JUST GOES SOMEWHAT AGAINST OUR GENERAL EXPERIENCE. 118 00:06:12,810 --> 00:06:14,240 WHEN ADULTS DISAPPEAR FOR THREE DAYS, 119 00:06:14,280 --> 00:06:16,710 IT’S USUALLY THEIR OWN DOING. 120 00:06:16,750 --> 00:06:18,050 MEANING WHAT? 121 00:06:18,080 --> 00:06:19,780 THEY STEP OUT ON A BINGE, 122 00:06:19,820 --> 00:06:21,780 THEY SHACK UP WITH A PROSTITUTE, 123 00:06:21,820 --> 00:06:23,220 AND THEN THEY’LL MAKE UP STORIES 124 00:06:23,250 --> 00:06:25,090 TO COVER THEIR TAIL FROM THEIR WIVES OR GIRLFRIENDS. 125 00:06:25,120 --> 00:06:27,120 NOT SAYING YOU’RE DOING THAT, 126 00:06:27,160 --> 00:06:28,390 BUT IF YOU WERE, 127 00:06:28,430 --> 00:06:30,570 WE’D APPRECIATE YOU TELLING US NOW. 128 00:06:30,600 --> 00:06:32,940 I DO NOT NEED TO MAKE UP STORIES. 129 00:06:32,960 --> 00:06:36,330 I HAVE BEEN IN HELL FOR THE LAST THREE DAYS! 130 00:06:36,370 --> 00:06:38,480 SO PURSUE IT LIKE YOU SAID? 131 00:06:38,500 --> 00:06:41,770 YES! YES! 132 00:06:41,810 --> 00:06:43,450 I WOULD LIKE TO GO HOME NOW. 133 00:06:43,470 --> 00:06:44,640 CAN I LEAVE? 134 00:06:44,680 --> 00:06:47,820 WE’LL HAVE A RADIO CAR GET YOU HOME. 135 00:06:47,850 --> 00:06:49,350 YEAH, UH‐HUH. 136 00:06:49,380 --> 00:06:52,450 OKAY, LOOK, I’VE GOT TO GO. 137 00:06:52,480 --> 00:06:53,920 WE’LL BE IN TOUCH. YEAH, RIGHT. 138 00:06:53,950 --> 00:06:56,120 MAKE SURE HE GETS HOME. NO PROBLEM. 139 00:06:56,150 --> 00:06:58,820 GET ON THE TELEPHONE TO SECURITY AND THE DISPATCHER. 140 00:06:58,860 --> 00:07:00,830 EVEN IF THE STORY’S BOGUS, 141 00:07:00,860 --> 00:07:02,960 WE’LL MAYBE CLEAR OUT A 5‐BEDROOM WHOREHOUSE. 142 00:07:02,990 --> 00:07:04,030 LOTS OF ROOM FOR THEO. 143 00:07:04,060 --> 00:07:05,360 I’D HAVE TO SEE IT FIRST. 144 00:07:05,400 --> 00:07:07,810 WHAT DID YOU GET? 145 00:07:07,830 --> 00:07:09,330 D.O.A.’S A CHINESE DELIVERY GUY 146 00:07:09,370 --> 00:07:11,210 BEAT TO DEATH WITH A PIECE OF CONCRETE 147 00:07:11,240 --> 00:07:12,510 FROM SOME SIDEWALK REPAIR. 148 00:07:12,540 --> 00:07:13,780 YEAH, WE GOT A CELL NUMBER 149 00:07:13,810 --> 00:07:15,380 OFF THE RESTAURANT CALLER I. D. 150 00:07:15,410 --> 00:07:17,820 TO THE PHONE THAT MADE THE LAST ORDER ‐‐ 151 00:07:17,840 --> 00:07:19,040 CAME BACK TO A LOUISE DOBKIN, 152 00:07:19,080 --> 00:07:20,720 LIVES ABOUT THREE BLOCKS FROM THE CRIME SCENE. 153 00:07:20,750 --> 00:07:21,890 SHE WASN’T HOME, BUT A NEIGHBOR SAYS 154 00:07:21,910 --> 00:07:22,980 THIS IS HER DAY FOR SHOPPING, 155 00:07:23,010 --> 00:07:23,980 SO SHE SHOULD BE BACK SOON. 156 00:07:24,020 --> 00:07:26,160 WE LEFT A NOTE. OKAY. 157 00:07:26,180 --> 00:07:28,780 DIANE RUSSELL? 158 00:07:28,820 --> 00:07:30,190 YEAH. 159 00:07:30,220 --> 00:07:31,520 WHOA. 160 00:07:31,560 --> 00:07:33,530 SIGN HERE ‐‐ 161 00:07:33,560 --> 00:07:35,060 NUMBER 12. 162 00:07:35,090 --> 00:07:37,360 DETECTIVE RUSSELL, THAT IS SPECTACULAR. 163 00:07:37,400 --> 00:07:39,470 IT LOOKS LIKE A CREATIVE CREATION. 164 00:07:39,500 --> 00:07:41,010 OH, YEAH, I GUESS IT IS. 165 00:07:41,030 --> 00:07:42,830 THEY DO ALL THE BIG WEDDINGS ‐‐ 166 00:07:42,870 --> 00:07:44,840 CATHERINE ZETA‐JONES, BARRY DILLER... 167 00:07:44,870 --> 00:07:46,300 [ TELEPHONE RINGS ] 168 00:07:46,340 --> 00:07:48,880 Andy: ALL RIGHT, GOOD. I’LL TALK TO YOU SOON. 169 00:07:48,910 --> 00:07:49,980 THE DOC? 170 00:07:50,010 --> 00:07:52,470 YEAH, SWEET NOTE. 171 00:07:52,510 --> 00:07:53,810 OKAY. UH, THANKS ANYWAY. 172 00:07:53,850 --> 00:07:55,320 WELL, THAT WAS THE DISPATCHER. 173 00:07:55,350 --> 00:07:56,920 NO RADIO RUNS AT THE TIME OR PLACE 174 00:07:56,950 --> 00:07:58,910 THIS POOLE SAYS HE WAS SNATCHED. 175 00:07:58,950 --> 00:08:01,180 ACCORDING TO TELEPHONE SECURITY, 176 00:08:01,220 --> 00:08:03,920 THE FBI’S ALREADY GOT POOLE’S CELL PHONE UP. 177 00:08:03,960 --> 00:08:06,570 VERY PRETTY. FROM THE DOC AT BELLEVUE? 178 00:08:06,590 --> 00:08:08,920 YEAH. COMPLETELY OUT OF THE BLUE. 179 00:08:08,960 --> 00:08:10,830 YEAH, HUH? 180 00:08:10,860 --> 00:08:13,390 IF THEY BUG YOU, I CAN MOVE THEM. 181 00:08:13,430 --> 00:08:14,900 WHAT, ARE YOU KIDDING ME? 182 00:08:14,930 --> 00:08:17,330 DIANE, IT’S FINE. 183 00:08:17,370 --> 00:08:20,340 SPECIAL AGENT NEIL SQUIRES, FBI. 184 00:08:20,370 --> 00:08:23,000 NEED TO SEE LIEUTENANT RODRIGUEZ REGARDING VICTOR POOLE. 185 00:08:23,040 --> 00:08:25,870 YEAH, WE’RE WORKING THIS CASE. 186 00:08:25,910 --> 00:08:27,610 ANDY SIPOWICZ, DANNY SORENSON. 187 00:08:27,650 --> 00:08:29,050 THAT’S THE LIEUTENANT. OKAY. 188 00:08:29,080 --> 00:08:30,380 WE’LL BE RIGHT BEHIND YOU. 189 00:08:30,410 --> 00:08:32,580 UH, DANNY, UH... 190 00:08:32,620 --> 00:08:34,590 LISTEN, I DON’T REALLY THINK SHE’S SERIOUS WITH THIS GUY. 191 00:08:34,620 --> 00:08:37,720 I THINK THIS IS MORE LIKE A FACE FROM THE PAST. 192 00:08:37,760 --> 00:08:39,060 IF IT WAS OTHERWISE, I COULD HANDLE IT. 193 00:08:39,090 --> 00:08:41,960 WELL, I’M GLAD YOU’RE SAYING THAT‐‐ 194 00:08:41,990 --> 00:08:44,230 BUT STILL, I‐‐I‐‐I INTERPRET THIS AS, UH.. 195 00:08:44,260 --> 00:08:46,560 A GESTURE OF FRIENDSHIP. 196 00:08:48,130 --> 00:08:49,770 CAN WE GO NOW? 197 00:08:49,800 --> 00:08:52,230 YEAH. 198 00:08:52,270 --> 00:08:54,770 ACCORDING TO THE IRS, IF HE ACTUALLY WAS NABBED, 199 00:08:54,810 --> 00:08:56,820 IT WASN’T LIKELY TO BE WORK‐RELATED. 200 00:08:56,840 --> 00:08:59,070 HE’S A SMALL‐TIMER. HE FOLLOWS PAPER TRAILS. 201 00:08:59,110 --> 00:09:00,710 HE MADE IT ABOUT HIS ATM CARD. 202 00:09:00,750 --> 00:09:02,390 HE MENTION BEING OF THE GAY PERSUASION? 203 00:09:02,410 --> 00:09:04,210 DIDN’T COME UP. 204 00:09:04,250 --> 00:09:05,580 GUESS HE KEEPS IT TUCKED AWAY. 205 00:09:05,620 --> 00:09:07,130 COWORKER I TALKED TO DIDN’T KNOW. 206 00:09:07,150 --> 00:09:08,880 HAD CREDIT CARD HITS TO SOME GAY CLUBS. 207 00:09:08,920 --> 00:09:10,390 ANYTHING IN THE LAST THREE DAYS? 208 00:09:10,420 --> 00:09:11,990 NO, IT’S PEPPERED THROUGH HIS HISTORY ‐‐ 209 00:09:12,020 --> 00:09:14,160 THE MOTHER LODE AND THE BALLROOM, 210 00:09:14,190 --> 00:09:16,890 SOME OTHER FRUIT STAND. MADE ME THINK HE SPENT 211 00:09:16,930 --> 00:09:18,930 THE LAST THREE DAYS SHACKED UP. ANYONE SEE HIM GET GRABBED? 212 00:09:18,960 --> 00:09:20,760 NO RADIO RUNS. WE’LL GET ON A CANVASS 213 00:09:20,800 --> 00:09:22,730 AT THE LOCATION HE SAYS HE WAS GRABBED. 214 00:09:22,770 --> 00:09:25,280 [ TELEPHONE RINGS ] 215 00:09:25,300 --> 00:09:26,840 LIEUTENANT RODRIGUEZ. 216 00:09:26,870 --> 00:09:29,570 MIGHT STOP BY POOLE’S APARTMENT ON THE WAY. 217 00:09:29,610 --> 00:09:31,240 WHAT, GO AT HIM WITH THE GAY BARS 218 00:09:31,280 --> 00:09:32,920 AND SEE DOES HE COME OFF THE KIDNAPPING? 219 00:09:32,940 --> 00:09:35,240 Squires: COULDN’T HURT. GOT IT. THANKS. 220 00:09:35,280 --> 00:09:38,910 THAT WAS TELEPHONE SECURITY ON POOLE’S MISSING PHONE. 221 00:09:38,950 --> 00:09:41,150 SOMEONE’S USING IT NEAR THE CHRYSLER BUILDING. 222 00:09:41,190 --> 00:09:42,930 THEY’RE GOING TO MEET YOU OUT THERE 223 00:09:42,950 --> 00:09:44,120 WITH DIRECTIONAL VANS. 224 00:09:44,160 --> 00:09:46,100 THAT’S THE FIRST HIT ON THAT PHONE. 225 00:09:46,120 --> 00:09:47,360 I’LL TELL YOU ONE THING, IF WHOEVER’S GOT IT 226 00:09:47,390 --> 00:09:49,360 ISN’T AN INTERNATIONAL SPY/TERRORIST 227 00:09:49,390 --> 00:09:51,460 TRAINED TO KIDNAP LIKE A MOSSAD AGENT, 228 00:09:51,500 --> 00:09:53,370 OUR LITTLE FRIEND IS A LYING SACK. 229 00:09:53,400 --> 00:09:55,310 HAVE A NICE GOOSE CHASE. 230 00:10:05,240 --> 00:10:07,340 RIGHT, THANKS. 231 00:10:07,380 --> 00:10:09,710 OKAY, SECURITY SAYS THE PHONE’S ON THE MOVE. 232 00:10:09,750 --> 00:10:11,450 THEY JUST TRACKED IT FROM 47th AND 8th 233 00:10:11,480 --> 00:10:12,850 TO 50th AND 8th. 234 00:10:12,880 --> 00:10:15,250 WHOEVER’S USING IT SHOULD BE WITHIN A BLOCK. 235 00:10:18,890 --> 00:10:20,620 YOU’RE BEING AWFUL QUIET. 236 00:10:20,660 --> 00:10:22,990 I’M WATCHING THE STREET. 237 00:10:23,030 --> 00:10:26,840 ON THE RIDE OVER HERE YOU WERE QUIET. 238 00:10:26,870 --> 00:10:28,740 WHAT ARE WE TALKING ABOUT? 239 00:10:28,770 --> 00:10:31,410 IF IT UPSETS YOU RUSSELL GOT THOSE FLOWERS, 240 00:10:31,440 --> 00:10:33,180 YOU’RE ALLOWED TO SHOW IT. 241 00:10:33,200 --> 00:10:35,870 THAT’S THE ONLY WAY TO KEEP FROM BOILING OVER. 242 00:10:35,910 --> 00:10:38,050 I UNDERSTAND THAT, BUT I’M FINE. 243 00:10:38,080 --> 00:10:41,390 ANDY, I’M GLAD THAT SHE’S GOT SOMETHING GOOD GOING 244 00:10:41,410 --> 00:10:42,840 WITH THIS GUY. 245 00:10:42,880 --> 00:10:46,350 OKAY, I’M DONE. 246 00:10:46,380 --> 00:10:48,450 THANKS FOR YOUR CONCERN. 247 00:10:53,390 --> 00:10:54,890 Danny: HERE WE GO. 248 00:10:57,400 --> 00:10:58,840 AND THE CASH WAS FIERCE! 249 00:10:58,860 --> 00:11:01,030 NO, I ENDED UP HAVING A GOOD TIME. 250 00:11:01,070 --> 00:11:02,910 SURE. IT WAS AN IN‐AND‐OUT... 251 00:11:02,930 --> 00:11:05,170 EXCUSE ME. PUT YOUR HANDS ON THE WALL. 252 00:11:05,200 --> 00:11:06,940 EXCUSE ME? WHAT DID I DO? 253 00:11:06,970 --> 00:11:08,540 GIVE ME THE PHONE. PUT YOUR HANDS ON THE WALL. 254 00:11:08,570 --> 00:11:09,540 ALL RIGHT, ALL RIGHT! 255 00:11:09,570 --> 00:11:10,540 I’M HANGING IT UP NOW. 256 00:11:10,580 --> 00:11:11,620 RIGHT. THANKS. 257 00:11:11,640 --> 00:11:13,740 SECURITY SAID THE LINE JUST WENT DOWN. 258 00:11:13,780 --> 00:11:14,840 WHAT’S YOUR NAME? 259 00:11:14,880 --> 00:11:15,940 FABIOLA DaSILVA. 260 00:11:15,980 --> 00:11:17,550 LOOK, I WAS JUST TAKING A STROLL. 261 00:11:17,580 --> 00:11:19,380 YEAH, WHERE’D YOU GET THE PHONE? 262 00:11:19,420 --> 00:11:20,560 IT’S MINE. 263 00:11:20,590 --> 00:11:22,230 YEAH, RIGHT. COME ON, LET’S GO. 264 00:11:22,250 --> 00:11:23,380 WAIT. WHY? WHY? 265 00:11:23,420 --> 00:11:27,220 GUYS, WHAT ARE YOU DOING? OH, MY GOD. OW, MY HAIR! 266 00:11:27,260 --> 00:11:28,260 BE QUIET. 267 00:11:28,290 --> 00:11:30,290 MOVE IT OVER, HONEY. I NEVER SAT 268 00:11:30,330 --> 00:11:33,290 NEXT TO AN INTERNATIONAL SPY/TERRORIST BEFORE. 269 00:11:47,250 --> 00:11:49,390 MY NAME’S LOUISE DOBKIN. 270 00:11:49,410 --> 00:11:53,150 I GOT THIS NOTE TO SEE DETECTIVES JONES AND MEDAVOY. 271 00:11:53,180 --> 00:11:55,720 HI. DETECTIVE JONES, MY PARTNER DETECTIVE MEDAVOY. 272 00:11:55,750 --> 00:11:57,490 THIS WAY, MRS. DOBKIN. 273 00:12:01,430 --> 00:12:04,140 THIS WOMAN OWNS A CELL PHONE? 274 00:12:04,160 --> 00:12:05,590 YEAH. 275 00:12:05,630 --> 00:12:09,060 IN 17 YEARS ON THE JOB, 276 00:12:09,100 --> 00:12:11,230 I CAN COUNT ON ONE HAND THE NUMBER OF TIMES I’VE SEEN 277 00:12:11,270 --> 00:12:12,330 FLOWERS IN A SQUAD ROOM. 278 00:12:13,640 --> 00:12:15,600 NICE. 279 00:12:19,340 --> 00:12:22,180 HEY, JOHN, MIND FINDING A PLACE TO STOW THESE 280 00:12:22,210 --> 00:12:23,580 TILL THE END OF THE TOUR? 281 00:12:23,620 --> 00:12:25,160 SURE, DETECTIVE. 282 00:12:27,190 --> 00:12:30,330 CAN’T LET THEM SEE YOU BE A GIRL. 283 00:12:30,350 --> 00:12:32,190 TOO DISTRACTING. 284 00:12:32,220 --> 00:12:34,090 COULDN’T BE FROM A COP. WAY TOO MUCH STYLE. 285 00:12:34,130 --> 00:12:35,930 DOCTOR. 286 00:12:35,960 --> 00:12:38,090 OH, LUCKY YOU. IT’S GOING WELL? 287 00:12:38,130 --> 00:12:39,900 YEAH, PRETTY GOOD. 288 00:12:44,000 --> 00:12:45,670 I DIDN’T HAVE TO COME DOWN HERE 289 00:12:45,700 --> 00:12:47,670 TO TELL YOU THE CELL PHONE ISN’T MINE. 290 00:12:47,710 --> 00:12:49,210 I GAVE IT TO MY GRANDDAUGHTER. 291 00:12:49,240 --> 00:12:50,370 SHE LIVES WITH ME. 292 00:12:50,410 --> 00:12:51,940 WHAT’S HER NAME, MA’AM? 293 00:12:51,980 --> 00:12:53,650 SYLVIA DOBKIN. 294 00:12:53,680 --> 00:12:56,280 SHE DONE SOMETHING WRONG WITH IT? 295 00:12:56,310 --> 00:12:57,950 WE DON’T EXPECT SO, MA’AM. 296 00:12:57,980 --> 00:12:59,720 IT’S JUST THAT IT WAS USED IN A MINOR CRIME, 297 00:12:59,750 --> 00:13:01,120 AND WE’RE TRYING TO FIGURE OUT WHAT HAPPENED. 298 00:13:01,150 --> 00:13:03,220 WELL, SHE ‐‐ SHE’D NEVER BE INVOLVED IN A CRIME. 299 00:13:03,250 --> 00:13:04,650 WELL, THEN MAYBE SHE LOST IT 300 00:13:04,690 --> 00:13:06,990 OR IT WAS STOLEN OR SHE LOANED IT TO SOMEONE. 301 00:13:07,030 --> 00:13:08,630 LIKE TO A FRIEND OR BOYFRIEND, 302 00:13:08,660 --> 00:13:11,030 MAYBE SOMEONE YOU’VE SEEN HER HANGING AROUND WITH 303 00:13:11,060 --> 00:13:13,030 THAT YOU DON’T QUITE APPROVE OF. 304 00:13:13,060 --> 00:13:14,830 OH, I LIKE ALL HER FRIENDS, 305 00:13:14,870 --> 00:13:17,810 AND THE TWO BOYS I’VE SEEN, THEY’RE REAL GENTLEMEN. 306 00:13:17,840 --> 00:13:19,540 WHAT ARE THEIR NAMES, MA’AM? 307 00:13:19,570 --> 00:13:21,370 MICHAEL AND ANTHONY. 308 00:13:21,410 --> 00:13:24,150 I DON’T KNOW THEIR LAST NAMES. 309 00:13:24,180 --> 00:13:25,420 WHERE IS YOUR GRANDDAUGHTER NOW? 310 00:13:25,440 --> 00:13:27,540 SCHOOL ‐‐ WALKER HIGH. 311 00:13:27,580 --> 00:13:29,510 DO YOU THINK MAYBE YOU COULD, UH, 312 00:13:29,550 --> 00:13:31,980 STICK AROUND WHILE WE HAVE HER BROUGHT IN? 313 00:13:32,020 --> 00:13:33,420 WE REALLY NEED TO NAIL DOWN 314 00:13:33,450 --> 00:13:35,380 WHAT’S GOING ON WITH THIS PHONE. 315 00:13:35,420 --> 00:13:38,190 WELL, SURE. 316 00:13:38,220 --> 00:13:41,260 UH, HER FATHER ‐‐ MY SON ‐‐ 317 00:13:41,290 --> 00:13:43,420 HE JUST WASN’T ANY GOOD, 318 00:13:43,460 --> 00:13:45,860 AND HER MAMA’S WORKING A JOB IN SOUTH CAROLINA. 319 00:13:45,900 --> 00:13:47,870 SHE’S HAD A LOT OF HEARTBREAK, 320 00:13:47,900 --> 00:13:49,230 BUT SHE’S A GOOD GIRL. 321 00:13:49,270 --> 00:13:51,910 YOU ‐‐ YOU’RE SURE SHE’S NOT IN ANY TROUBLE? 322 00:13:51,940 --> 00:13:54,580 WE DON’T EXPECT SO, MA’AM. 323 00:14:01,280 --> 00:14:03,550 LOOK, I WAS JUST TALKING ON THE PHONE! 324 00:14:03,580 --> 00:14:04,680 WHAT IS THIS ABOUT? 325 00:14:04,720 --> 00:14:07,090 IT’S ABOUT THE PERSON THAT OWNS IT, FABIOLA, 326 00:14:07,120 --> 00:14:10,020 WHICH WE KNOW ISN’T YOU, SO START A STEP PAST THAT. 327 00:14:10,050 --> 00:14:12,620 I GOT IT OFF A JOHN. IT’S LEGIT. 328 00:14:12,660 --> 00:14:14,070 HE GAVE IT TO ME. 329 00:14:14,090 --> 00:14:16,060 NAME OF THE JOHN? 330 00:14:16,090 --> 00:14:17,130 ALL I KNOW IS LOUIE. 331 00:14:17,160 --> 00:14:18,390 LOOK, GIVE A LAST NAME, 332 00:14:18,430 --> 00:14:20,960 OR WE’RE ALL THREE GOING TO GO SIT AT THE STROLL 333 00:14:21,000 --> 00:14:22,100 TILL HE SHOWS AGAIN. 334 00:14:22,130 --> 00:14:24,570 HE COMES BY ONCE A MONTH, MAYBE. 335 00:14:24,600 --> 00:14:25,930 THEN WE’LL GET TO BE CLOSE FRIENDS. 336 00:14:25,970 --> 00:14:27,440 SEE, THAT PHONE IS HOT AS LAVA, 337 00:14:27,470 --> 00:14:29,540 SO UNLESS YOU START DOING BETTER THAN LOUIE, 338 00:14:29,570 --> 00:14:30,940 IT COULD VERY WELL GET YOU LOCKED UP 339 00:14:30,980 --> 00:14:32,420 FOR A GOOD, LONG TIME. 340 00:14:32,440 --> 00:14:34,740 FOR USING A PHONE? NO, FOR BEING INVOLVED IN A CRIME 341 00:14:34,780 --> 00:14:36,580 THAT THE PHONE IS A PART OF. 342 00:14:36,620 --> 00:14:38,160 ARE WE IN STEP YET, FABIOLA? 343 00:14:38,180 --> 00:14:39,650 ALL RIGHT. 344 00:14:39,680 --> 00:14:43,120 THERE’S THIS PLACE I TAKE DATES TO IN HELL’S KITCHEN, 345 00:14:43,150 --> 00:14:44,990 AND IT WAS SITTING ON THE FLOOR, 346 00:14:45,020 --> 00:14:46,420 SO I TOOK IT. 347 00:14:46,460 --> 00:14:48,600 HOW MANY TIMES YOU BEEN THERE IN THE PAST THREE DAYS? 348 00:14:48,630 --> 00:14:49,600 A LOT. 349 00:14:49,630 --> 00:14:51,160 YOU SEEN THIS GUY THERE? 350 00:14:51,200 --> 00:14:53,910 LOTS OF GUYS LIKE HIM GO TO THAT PLACE. 351 00:14:53,930 --> 00:14:55,960 AND THIS ONE MIGHT HAVE BEEN 352 00:14:56,000 --> 00:14:57,500 BEHIND A CLOSED DOOR YOU WANDERED IN... 353 00:14:57,540 --> 00:14:59,580 MAYBE GETTING HIS PIPES CLEANED? 354 00:14:59,600 --> 00:15:00,770 IF A DOOR IS CLOSED, 355 00:15:00,810 --> 00:15:02,580 I HAVE NO BUSINESS GOING IN. 356 00:15:02,610 --> 00:15:04,320 I WORK ONE ROOM AT A TIME. 357 00:15:04,340 --> 00:15:05,940 WHAT’S THE SETUP OF THIS PLACE? 358 00:15:05,980 --> 00:15:08,420 FRONT AREA’S A SMOKING GALLERY, 359 00:15:08,450 --> 00:15:09,820 ROOMS IN THE BACK, 360 00:15:09,850 --> 00:15:11,950 WE PAY 3 BUCKS A BANG. 361 00:15:11,980 --> 00:15:15,120 "WE" BEING PROSTS, MOSTLY LIKE YOURSELF, 362 00:15:15,150 --> 00:15:16,350 OR WOMEN, TOO? 363 00:15:16,390 --> 00:15:18,360 YOU KNOW, I COULD TAKE OFFENSE TO THAT, 364 00:15:18,390 --> 00:15:20,290 BUT SINCE WE’RE BEING OFFICIAL, 365 00:15:20,320 --> 00:15:22,420 YES, BOTH TRANNIES AND BIOLOGICALS. 366 00:15:22,460 --> 00:15:25,030 WHO DO YOU PAY THE 3 BUCKS TO? 367 00:15:25,060 --> 00:15:26,530 OH, I DON’T KNOW THEIR NAMES. 368 00:15:26,570 --> 00:15:28,840 THEY’RE JUST THESE TWO SKANKY WHITE DUDES. 369 00:15:28,870 --> 00:15:31,040 ADDRESS OF THE PLACE? 370 00:15:31,070 --> 00:15:32,800 [ SIGHS ] 371 00:15:32,840 --> 00:15:35,550 AND, BY THE WAY, "BIOLOGICALS" MEANS LADIES 372 00:15:35,570 --> 00:15:38,140 THAT WERE LUCKY ENOUGH TO BE BORN LADIES. 373 00:15:38,180 --> 00:15:40,220 THANKS FOR CLEARING THAT UP. 374 00:15:42,810 --> 00:15:44,780 HI, BABY. 375 00:15:44,820 --> 00:15:45,960 HI. 376 00:15:45,980 --> 00:15:48,150 GRANDMA, WHAT’S GOING ON? 377 00:15:48,190 --> 00:15:50,500 JUST GOT A FEW QUESTIONS TO ASK YOU, SYLVIA. 378 00:15:50,520 --> 00:15:52,690 SHOULDN’T TAKE LONG. RIGHT THIS WAY. 379 00:15:52,720 --> 00:15:54,990 Greg: THANKS, KEARNS. 380 00:16:02,570 --> 00:16:04,540 SORRY TO DRAG YOU OUT OF SCHOOL, 381 00:16:04,570 --> 00:16:07,000 BUT SOMETHING CAME UP IN AN INVESTIGATION 382 00:16:07,040 --> 00:16:08,900 WE’RE HOPING YOU CAN CLEAR UP. 383 00:16:08,940 --> 00:16:11,310 WHAT WERE YOU DOING LAST NIGHT, SYLVIA? 384 00:16:11,340 --> 00:16:12,710 WERE YOU OUT? 385 00:16:12,740 --> 00:16:14,480 I WAS AT A MOVIE. 386 00:16:14,510 --> 00:16:16,210 WHAT DID YOU SEE? 387 00:16:16,250 --> 00:16:17,890 THE "GLADIATOR" MOVIE. 388 00:16:17,920 --> 00:16:19,060 YEAH? 389 00:16:19,080 --> 00:16:20,250 I DIDN’T KNOW THAT WAS STILL PLAYING. 390 00:16:20,280 --> 00:16:22,320 DID YOU HAVE YOUR CELL PHONE WITH YOU? 391 00:16:22,350 --> 00:16:23,590 WHY? 392 00:16:23,620 --> 00:16:26,020 SOMEONE DID A MINOR CRIME WITH IT LAST NIGHT. 393 00:16:26,060 --> 00:16:27,230 IT WASN’T ME. 394 00:16:27,260 --> 00:16:29,360 DID YOU MAYBE LOAN THE PHONE TO SOMEBODY? 395 00:16:29,390 --> 00:16:30,890 NO, I DIDN’T LOAN IT TO NOBODY. 396 00:16:30,930 --> 00:16:32,230 "ANYBODY," GIRL. 397 00:16:32,260 --> 00:16:33,600 Syliva: ANYBODY. 398 00:16:35,570 --> 00:16:37,380 ACTUALLY, I‐I LOST IT. 399 00:16:37,400 --> 00:16:40,740 I SAW YOU WITH IT YESTERDAY. 400 00:16:40,770 --> 00:16:41,870 I LOST IT IN THE AFTERNOON. 401 00:16:41,910 --> 00:16:43,210 WELL, I SAW YOU WITH IT 402 00:16:43,240 --> 00:16:45,210 BEFORE YOU LEFT FOR THE MOVIE. 403 00:16:45,240 --> 00:16:47,780 SYLVIA, WE WANT TO GET YOU BACK TO SCHOOL 404 00:16:47,810 --> 00:16:49,580 AS SOON AS POSSIBLE, BUT THAT’S NOT GOING TO HAPPEN 405 00:16:49,610 --> 00:16:50,910 UNLESS YOU TELL US THE TRUTH. 406 00:16:50,950 --> 00:16:52,880 IF YOU DON’T, WE HAVE TO DO WHAT’S CALLED 407 00:16:52,920 --> 00:16:55,330 A VOICE LINEUP. YOU KNOW WHAT THAT IS? 408 00:16:56,450 --> 00:16:58,050 YOU GET ON THE PHONE WITH SOMEONE, 409 00:16:58,090 --> 00:17:00,060 MAYBE FROM A CHINESE RESTAURANT, 410 00:17:00,090 --> 00:17:02,460 AND THAT PERSON SAYS WHETHER OR NOT 411 00:17:02,490 --> 00:17:03,930 YOU’RE WHO CALLED LAST NIGHT. 412 00:17:03,960 --> 00:17:05,790 AND THEN WE KNOW YOU WERE INVOLVED, 413 00:17:05,830 --> 00:17:08,230 BUT WE DON’T KNOW THE CIRCUMSTANCES, 414 00:17:08,270 --> 00:17:10,140 WHICH GOES A LONG WAY IN DETERMINING HOW MUCH, 415 00:17:10,170 --> 00:17:11,830 IF ANY, TROUBLE YOU MAY BE IN. 416 00:17:14,110 --> 00:17:16,010 NOW, YOU DIDN’T LOSE THE CELL PHONE, DID YOU? 417 00:17:17,110 --> 00:17:18,070 NO. 418 00:17:18,110 --> 00:17:19,840 DO YOU HAVE IT WITH YOU? 419 00:17:21,810 --> 00:17:23,410 WHY DON’T YOU GIVE IT TO ME RIGHT NOW? 420 00:17:29,120 --> 00:17:30,850 DID YOU CALL A RESTAURANT LAST NIGHT? 421 00:17:32,790 --> 00:17:34,390 WHO WERE YOU WITH? 422 00:17:34,430 --> 00:17:36,600 ANTHONY... 423 00:17:36,630 --> 00:17:38,730 ANTHONY WOODSIDE. 424 00:17:38,760 --> 00:17:41,300 WHAT DID YOU DO, GIRL? 425 00:17:41,330 --> 00:17:42,600 I JUST CALLED THE PLACE AND ORDERED, 426 00:17:42,630 --> 00:17:43,800 AND WHEN THE MAN CAME, I LEFT. 427 00:17:43,840 --> 00:17:45,140 DID ANTHONY APPROACH THE MAN THEN? 428 00:17:45,170 --> 00:17:46,900 AND HE TOOK THE FOOD. 429 00:17:46,940 --> 00:17:48,600 AND WHAT HAPPENED AFTER THAT, SYLVIA? 430 00:17:48,640 --> 00:17:52,010 I DON’T KNOW. I LEFT. 431 00:17:52,040 --> 00:17:53,680 LOOK, IT WAS ANTHONY THOUGHT IT UP. 432 00:17:53,710 --> 00:17:55,240 HE SAID, "LET’S GET SOME CHINESE." 433 00:17:55,280 --> 00:17:56,750 I SAID, "I AIN’T GOT NO MONEY." 434 00:17:56,780 --> 00:17:58,180 HE SAID, "WE’LL JUST TAKE IT." 435 00:17:58,220 --> 00:17:59,460 AND WHAT MADE HIM THINK 436 00:17:59,480 --> 00:18:01,420 THAT WAS THE RIGHT THING TO DO? 437 00:18:01,450 --> 00:18:03,480 HE DON’T LIKE THE CHINESE FOLKS 438 00:18:03,520 --> 00:18:04,490 ’CAUSE HE SAYS THEY DON’T LIKE US 439 00:18:04,520 --> 00:18:05,850 OR HIRE US. 440 00:18:05,890 --> 00:18:07,090 THEY JUST COME TO THE NEIGHBORHOOD 441 00:18:07,130 --> 00:18:08,170 TO TAKE MONEY. 442 00:18:10,900 --> 00:18:12,770 DOES ANTHONY GO TO SCHOOL, SYLVIA? 443 00:18:12,800 --> 00:18:14,770 BAXTER HIGH. 444 00:18:14,800 --> 00:18:18,000 OKAY. WE’RE GOING TO TALK WITH ANTHONY. 445 00:18:18,040 --> 00:18:19,340 NOW, IF YOU DON’T MIND, 446 00:18:19,370 --> 00:18:21,140 WE’RE GOING TO ASK YOU 447 00:18:21,170 --> 00:18:23,370 TO STICK AROUND FOR A LITTLE WHILE. 448 00:18:36,150 --> 00:18:37,390 HEY, VICTOR. 449 00:18:37,420 --> 00:18:38,890 YOU MIND IF WE COME IN? 450 00:18:38,920 --> 00:18:40,490 NO, PLEASE. 451 00:18:43,190 --> 00:18:44,660 HAVE YOU MADE ANY PROGRESS? 452 00:18:44,700 --> 00:18:46,870 UH, GOT A COUPLE OF QUESTIONS TO ASK. 453 00:18:46,900 --> 00:18:48,800 DO YOU KNOW A HE/SHE PROSTITUTE 454 00:18:48,830 --> 00:18:50,200 NAMED FABIOLA DaSILVA? 455 00:18:50,230 --> 00:18:52,330 NO. WELL, SHE KNOWS YOU. 456 00:18:52,370 --> 00:18:55,670 THIS A FRIEND OF YOURS? MY BROTHER. 457 00:18:55,710 --> 00:18:57,920 YOU DON’T THROW THEM BACK WITH FABIOLA 458 00:18:57,940 --> 00:19:00,310 AT THE MOTHER LODE OR MAYBE THE BALLROOM? 459 00:19:00,340 --> 00:19:02,010 I DO NOT KNOW WHOEVER THIS PERSON IS. 460 00:19:02,050 --> 00:19:03,390 BUT YOU DO GO TO THOSE CLUBS, RIGHT? 461 00:19:03,410 --> 00:19:05,050 THEY CAME UP ON YOUR CREDIT CARD. 462 00:19:05,080 --> 00:19:06,650 THEN YOU KNOW I GO THERE. 463 00:19:06,690 --> 00:19:08,660 WHAT KIND OF CLUBS ARE THOSE? 464 00:19:08,690 --> 00:19:10,230 THEY’RE GAY CLUBS. 465 00:19:10,250 --> 00:19:11,920 THIS PLACE THAT YOU SAY YOU WERE HELD, 466 00:19:11,960 --> 00:19:13,900 YOU KNOW WHAT KIND OF PROSTITUTES WORK THERE? 467 00:19:13,930 --> 00:19:16,070 NO. I JUST KNEW THAT THEY WERE PROSTITUTES. 468 00:19:16,090 --> 00:19:18,030 YOU DIDN’T NOTICE A LITTLE SOMETHING EXTRA HANGING 469 00:19:18,060 --> 00:19:19,530 UNDER THEIR MINISKIRTS? 470 00:19:19,560 --> 00:19:21,500 SEE, WHAT WE’RE DOING HERE, VICTOR, 471 00:19:21,530 --> 00:19:23,500 WE’RE PUTTING TWO AND TWO TOGETHER. 472 00:19:23,530 --> 00:19:25,270 I DON’T UNDERSTAND WHAT THIS IS SUPPOSED TO MEAN 473 00:19:25,300 --> 00:19:28,370 OR WHAT IT HAS TO DO WITH ME BEING KIDNAPPED AND ROBBED. 474 00:19:28,410 --> 00:19:29,680 IT JUST MAKES US WONDER, 475 00:19:29,710 --> 00:19:31,340 ARE YOU LYING TO US ABOUT THE WHOLE THING? 476 00:19:31,380 --> 00:19:33,720 TO COVER UP SOMETHING ELSE, LIKE WE SAID BEFORE. 477 00:19:33,750 --> 00:19:36,690 AND, LIKE I SAID BEFORE, I’M TELLING THE TRUTH. 478 00:19:36,720 --> 00:19:37,720 BUT SINCE NOW WE KNOW 479 00:19:37,750 --> 00:19:39,350 YOU GOT SOMETHING WORTH HIDING, 480 00:19:39,380 --> 00:19:41,250 THE QUESTION NEEDS TO BE ASKED AGAIN. 481 00:19:41,290 --> 00:19:42,560 NO, I’M NOT LYING. 482 00:19:42,590 --> 00:19:44,100 THEN WHY WOULD THIS PROST SAY 483 00:19:44,120 --> 00:19:45,720 THAT YOU WERE A CUSTOMER? 484 00:19:45,760 --> 00:19:47,270 BECAUSE SHE’S WHO’S LYING. 485 00:19:47,290 --> 00:19:49,460 ARE YOU OUT AT WORK? DO THEY KNOW YOU’RE GAY? 486 00:19:49,490 --> 00:19:51,130 NO. IF YOU’RE WORRIED 487 00:19:51,160 --> 00:19:53,190 ABOUT THIS CONVERSATION LEAVING THE ROOM, 488 00:19:53,230 --> 00:19:55,360 IT WON’T, BUT YOU’VE GOT TO SPEAK UP NOW. 489 00:19:55,400 --> 00:19:56,900 I CANNOT BELIEVE YOU. 490 00:19:56,940 --> 00:19:58,580 WE’RE GOING INTO THIS WHOREHOUSE 491 00:19:58,600 --> 00:20:00,070 WITH BIG ARTILLERY, VICTOR, 492 00:20:00,100 --> 00:20:01,740 AND IF ONE OF OUR GUYS GETS SHOT, 493 00:20:01,770 --> 00:20:03,870 I DON’T WANT YOU LIVING WITH BLOOD ON YOUR HANDS 494 00:20:03,910 --> 00:20:05,710 ’CAUSE YOU WERE AFRAID OF BEING OUTED. 495 00:20:05,740 --> 00:20:07,880 IF YOU COME CLEAN NOW, THERE’S NO SHAME IN IT. 496 00:20:07,910 --> 00:20:09,880 I SPENT THREE DAYS TERRIFIED OF BEING KILLED, 497 00:20:09,910 --> 00:20:11,480 AND NOW THIS? 498 00:20:11,520 --> 00:20:13,220 JUST POINTING OUT INCONSISTENCIES. 499 00:20:13,250 --> 00:20:15,380 YOU ARE INTERROGATING ME LIKE I’M A CRIMINAL. 500 00:20:15,420 --> 00:20:17,550 I WAS THE ONE WHO WAS KIDNAPPED. 501 00:20:17,590 --> 00:20:19,620 THEY HAD A KNIFE AT MY THROAT. 502 00:20:19,660 --> 00:20:21,390 NOW, I DON’T KNOW IF YOU REALLY PLAN 503 00:20:21,430 --> 00:20:22,670 ON RAIDING THIS WHOREHOUSE OR NOT, 504 00:20:22,690 --> 00:20:25,230 AND IF YOU DO, I TRULY HOPE THAT NO ONE GETS HURT, 505 00:20:25,260 --> 00:20:26,900 BUT IF SOMEONE DOES, 506 00:20:26,930 --> 00:20:29,160 YOU HAVE GOT A HELL OF A LOT OF NERVE 507 00:20:29,200 --> 00:20:31,700 PUTTING IT ON ME! 508 00:20:34,640 --> 00:20:35,970 I GUESS WE’RE DONE HERE. 509 00:20:36,010 --> 00:20:37,280 YES, YOU ARE. 510 00:20:37,310 --> 00:20:39,610 SORRY TO WASTE YOUR TIME. 511 00:21:00,060 --> 00:21:01,360 HANDS UP! HANDS UP! 512 00:21:01,400 --> 00:21:03,300 POLICE! POLICE! EVERYBODY FREEZE! 513 00:21:03,330 --> 00:21:05,200 FREEZE! EVERYBODY STAND UP! 514 00:21:05,240 --> 00:21:06,510 FREEZE! 515 00:21:06,540 --> 00:21:08,310 BOTH OF YOU AGAINST THE WALL! AGAINST THE WALL! 516 00:21:08,340 --> 00:21:09,810 GET OFF THE BED! HANDS UP! 517 00:21:09,840 --> 00:21:11,310 Man: JUST LET ME GET MY CLOTHES ON. 518 00:21:11,340 --> 00:21:13,440 AGAINST THE WALL. GET UP. 519 00:21:13,480 --> 00:21:15,620 Woman: TAKE IT EASY, OKAY? 520 00:21:15,650 --> 00:21:17,390 YOU FIND POOLE’S CREDENTIALS? 521 00:21:17,420 --> 00:21:19,020 NOTHING. NOTHING IN THERE. 522 00:21:19,050 --> 00:21:20,680 DIANE? NOTHING IN HERE. 523 00:21:20,720 --> 00:21:21,950 LET’S GO. 524 00:21:21,990 --> 00:21:26,130 ALL RIGHT, WHO’S RUNNING THIS PLACE? 525 00:21:26,160 --> 00:21:28,730 HE’S TAKING THE FIFTH. I’M TAKING THE FIFTH. 526 00:21:28,760 --> 00:21:30,990 IS THAT RIGHT? 527 00:21:31,030 --> 00:21:32,360 SHUT UP. 528 00:21:32,400 --> 00:21:34,310 WHOEVER THEY ARE, THEY’RE CRIMINAL MASTERMINDS. 529 00:21:34,330 --> 00:21:35,960 OKAY, BRIGHT EYES. 530 00:21:36,000 --> 00:21:36,970 AH! 531 00:21:37,000 --> 00:21:38,230 UP. 532 00:21:45,210 --> 00:21:46,540 Y’ALL GRAB ME FROM SCHOOL, 533 00:21:46,580 --> 00:21:48,510 EMBARRASS ME IN FRONT OF MY FRIENDS, 534 00:21:48,550 --> 00:21:50,720 AND I DON’T EVEN KNOW WHAT THIS IS ABOUT. 535 00:21:50,750 --> 00:21:52,550 WHERE WERE YOU LAST NIGHT, 10:30? 536 00:21:52,580 --> 00:21:53,720 SEEING A MOVIE. 537 00:21:53,750 --> 00:21:54,880 WHICH ONE? 538 00:21:54,920 --> 00:21:56,720 IS IT EVEN LEGAL FOR YOU GUYS TO BE 539 00:21:56,760 --> 00:21:58,030 TALKING TO ME WITHOUT A PARENT? 540 00:21:58,060 --> 00:21:59,200 I’M ONLY 16. 541 00:21:59,220 --> 00:22:01,690 16’s THE CUTOFF, ANTHONY. 542 00:22:01,730 --> 00:22:04,040 WHAT MOVIE? WHAT’S IT MATTER? 543 00:22:04,060 --> 00:22:05,260 WELL, IT DOESN’T, REALLY. 544 00:22:05,300 --> 00:22:06,610 THE ONLY THING THAT MATTERS 545 00:22:06,630 --> 00:22:08,730 IS THAT YOU WEREN’T ON 14th STREET AROUND 10:30. 546 00:22:08,770 --> 00:22:10,540 YOU WEREN’T THERE, WERE YOU? 547 00:22:10,570 --> 00:22:13,740 MAYBE ORDERING CHINESE FOOD WITH YOUR FRIEND SYLVIA DOBKIN? 548 00:22:13,770 --> 00:22:16,540 IS THAT WHAT SHE SAID? WHAT DO YOU SAY, ANTHONY? 549 00:22:16,580 --> 00:22:17,880 LOOK, SHE’S GOT A THING FOR ME, 550 00:22:17,910 --> 00:22:19,510 AND IF SHE SAYS SOMETHING AGAINST ME, 551 00:22:19,540 --> 00:22:21,380 I SAY BECAUSE I TURNED HER DOWN FLAT 552 00:22:21,410 --> 00:22:22,380 A BIG PLAYER. 553 00:22:22,410 --> 00:22:23,910 I DO GET AROUND. 554 00:22:23,950 --> 00:22:27,280 YOU EVER BEEN LOCKED UP BEFORE, ANTHONY? NOPE. 555 00:22:27,320 --> 00:22:29,620 SEE, THAT LITTLE SMART‐ASS ATTITUDE OF YOURS 556 00:22:29,650 --> 00:22:32,420 WOULDN’T GO OVER VERY WELL IN JAIL. 557 00:22:32,460 --> 00:22:34,270 YEAH, THEY GIVE THEM, WHAT, A COUPLE OF DAYS? 558 00:22:34,290 --> 00:22:35,520 ORIENTATION THEY CALL IT. 559 00:22:35,560 --> 00:22:36,960 THEY LET YOU SETTLE IN. 560 00:22:37,000 --> 00:22:38,540 YEAH, AND THEN THEY GANG‐RAPE YOU IN THE SHOWER. 561 00:22:38,560 --> 00:22:40,200 ANTHONY... 562 00:22:40,230 --> 00:22:42,530 WE DON’T WANT TO SEE THAT HAPPEN TO YOU, 563 00:22:42,570 --> 00:22:45,080 BUT UNTIL WE KNOW WHAT WENT DOWN LAST NIGHT, 564 00:22:45,100 --> 00:22:46,370 WE CAN’T HELP YOU OUT. 565 00:22:46,400 --> 00:22:48,640 WERE YOU HUNGRY? WERE YOU BORED? 566 00:22:48,670 --> 00:22:50,810 OR DID YOU MAYBE WANT TO TAKE A BIT OF A SHOT 567 00:22:50,840 --> 00:22:52,910 AT A CHINESE DELIVERY GUY? 568 00:22:52,940 --> 00:22:54,980 SYLVIA INDICATED YOU HAD SOMETHING 569 00:22:55,010 --> 00:22:57,150 OF A POLITICAL STANCE IN THAT REGARD. 570 00:22:57,180 --> 00:23:00,220 YEAH, THEY GOT NO RESPECT FOR BLACK FOLKS, AM I RIGHT? 571 00:23:00,250 --> 00:23:01,780 YOU OUGHT TO KNOW. 572 00:23:01,820 --> 00:23:03,720 THEY DON’T HIRE OUTSIDE THEIR KIND, 573 00:23:03,760 --> 00:23:05,060 JACK UP PRICES. 574 00:23:05,090 --> 00:23:06,920 HOW DO YOU FEEL ABOUT THEM COMING INTO YOUR NEIGHBORHOOD 575 00:23:06,960 --> 00:23:07,920 JUST TO TAKE YOUR MONEY? 576 00:23:07,960 --> 00:23:09,220 THEY’RE LIKE ROACHES. 577 00:23:09,260 --> 00:23:11,460 SO WHY NOT TAKE THEM ALL FOR A BAG OF FOOD? 578 00:23:11,500 --> 00:23:12,740 THEY’LL JUST SCURRY OFF AND MAKE MORE, RIGHT? 579 00:23:12,760 --> 00:23:14,600 THAT’S A WAY OF THINKING. 580 00:23:14,630 --> 00:23:17,500 IS THAT WHAT YOU WERE THINKING LAST NIGHT, ANTHONY? 581 00:23:17,540 --> 00:23:19,610 I DON’T KNOW WHAT YOU’RE TALKING ABOUT. 582 00:23:21,870 --> 00:23:25,070 WE’D LOVE TO SEE YOU WALK OUT OF HERE, ANTHONY, 583 00:23:25,110 --> 00:23:27,280 BUT IF YOU KEEP STONEWALLING, 584 00:23:27,310 --> 00:23:28,610 OUR HANDS ARE TIED. 585 00:23:28,650 --> 00:23:30,190 SORRY, BRO. 586 00:23:30,210 --> 00:23:35,350 WELL, WE’VE GOT TO STEP OUT A MINUTE, ANTHONY. 587 00:23:35,390 --> 00:23:36,560 SEEMS YOUR FATHER’S HERE. 588 00:23:39,890 --> 00:23:42,420 YOUR FACE JUST WENT GRAY, ANTHONY. 589 00:23:42,460 --> 00:23:43,930 DID NOT. 590 00:23:43,960 --> 00:23:44,930 HMMM. 591 00:23:44,960 --> 00:23:47,060 WELL, YOU SIT TIGHT, PLAYER. 592 00:23:57,810 --> 00:23:59,140 MR. WOODSIDE? 593 00:23:59,180 --> 00:24:02,050 DETECTIVE JONES, DETECTIVE MEDAVOY. 594 00:24:02,080 --> 00:24:03,480 I HEARD YOU TOOK MY SON OUT OF SCHOOL. 595 00:24:03,510 --> 00:24:06,010 LET’S, UH, TALK IN HERE. 596 00:24:16,260 --> 00:24:18,190 COFFEE? 597 00:24:18,230 --> 00:24:19,360 I DON’T NEED COFFEE. 598 00:24:19,400 --> 00:24:21,740 I WANT TO KNOW WHAT’S GOING ON WITH MY SON. 599 00:24:21,770 --> 00:24:23,710 MR. WOODSIDE, THERE’S A GOOD CHANCE 600 00:24:23,740 --> 00:24:26,180 ANTHONY WAS INVOLVED IN A CRIME LAST NIGHT. 601 00:24:26,200 --> 00:24:28,040 WE’RE JUST TRYING TO SORT IT OUT. 602 00:24:28,070 --> 00:24:29,400 WHAT KIND OF CRIME? 603 00:24:29,440 --> 00:24:31,540 WE THINK HE MAY HAVE TAKEN SOME CHINESE FOOD 604 00:24:31,580 --> 00:24:32,680 FROM A DELIVERY MAN. 605 00:24:32,710 --> 00:24:34,880 I DON’T BELIEVE THAT. HE WAS AT A MOVIE. 606 00:24:34,910 --> 00:24:36,850 WELL, ONE OF HIS FRIENDS MAKES HIM INVOLVED, 607 00:24:36,880 --> 00:24:38,850 SO WE’RE FAIRLY CERTAIN HE WASN’T AT A MOVIE. 608 00:24:38,880 --> 00:24:40,680 YEAH, SEE, THE PROBLEM IS 609 00:24:40,720 --> 00:24:42,520 ANTHONY’S REFUSING TO SPEAK WITH US. 610 00:24:42,550 --> 00:24:44,020 YOU TALKED TO HIM WITHOUT ME THERE? 611 00:24:44,060 --> 00:24:45,200 HE’S 16 YEARS OLD. 612 00:24:45,220 --> 00:24:46,720 YOU’VE GOT NO RIGHT TALKING TO HIM ALONE. 613 00:24:46,760 --> 00:24:48,690 ACTUALLY, WE ARE WITHIN OUR RIGHTS, 614 00:24:48,730 --> 00:24:50,600 AND AS FAR AS HIM BEING INVOLVED, 615 00:24:50,630 --> 00:24:53,600 HIS SILENCE IS FORCING US TO TAKE THE WORD OF HIS FRIEND. 616 00:24:53,630 --> 00:24:55,200 HAS ANTHONY HAD ANY TROUBLE IN THE PAST? 617 00:24:55,230 --> 00:24:57,530 ABSOLUTELY NOT. 618 00:24:57,570 --> 00:24:59,500 PROBABLY ON ACCOUNT OF YOU RAISING HIM RIGHT. 619 00:24:59,540 --> 00:25:01,550 I RUN A STRICT HOUSE. 620 00:25:01,570 --> 00:25:03,200 CAN I SEE MY SON? 621 00:25:03,240 --> 00:25:04,870 [ CHUCKLES ] 622 00:25:04,910 --> 00:25:08,740 NORMALLY WE DON’T ALLOW FOR THAT, BUT, UH... 623 00:25:08,780 --> 00:25:09,880 BUT, UM, 624 00:25:09,910 --> 00:25:12,010 MAYBE IF WE ALL WENT IN TO TALK TOGETHER, 625 00:25:12,050 --> 00:25:13,950 YOU COULD HELP HIM UNDERSTAND 626 00:25:13,990 --> 00:25:15,760 THAT IT’S IN HIS BEST INTEREST 627 00:25:15,790 --> 00:25:17,130 TO TELL THE TRUTH. 628 00:25:17,160 --> 00:25:19,730 YEAH, THAT WAY WE CAN DISCUSS CIRCUMSTANCES, 629 00:25:19,760 --> 00:25:22,120 WHICH GOES A GOOD WAY 630 00:25:22,160 --> 00:25:24,130 TOWARD WHETHER OR NOT THIS CASE IS EVEN WORTH AN ARREST. 631 00:25:26,800 --> 00:25:29,100 ANTHONY HAS NEVER BEEN INVOLVED 632 00:25:29,130 --> 00:25:31,870 IN ANY KIND OF TROUBLE, AND NEITHER HAVE I. 633 00:25:31,900 --> 00:25:33,870 I WORK HARD. HE WORKS HARD. 634 00:25:33,910 --> 00:25:36,250 WE DON’T WANT YOU WORRIED, MR. WOODSIDE. 635 00:25:36,270 --> 00:25:38,210 I KNOW HE DIDN’T DO ANYTHING WRONG, 636 00:25:38,240 --> 00:25:39,780 BUT DO WE NEED AN ATTORNEY? 637 00:25:39,810 --> 00:25:41,880 WELL, YOU’RE DEFINITELY WITHIN YOUR RIGHTS 638 00:25:41,910 --> 00:25:43,810 TO HAVE AN ATTORNEY, MR. WOODSIDE, 639 00:25:43,850 --> 00:25:45,250 BUT THEN WE’D HAVE TO SHUT DOWN 640 00:25:45,280 --> 00:25:46,820 ALL THE PROCEEDINGS. 641 00:25:46,850 --> 00:25:49,250 MEANING WE’D HAVE TO GO WITH WHAT HIS FRIEND TOLD US, 642 00:25:49,290 --> 00:25:50,730 MAINLY THAT HE WAS INVOLVED. 643 00:25:50,760 --> 00:25:52,930 SO HE’D BE ARRESTED? 644 00:25:52,960 --> 00:25:55,430 WE’D HAVE NO CHOICE. 645 00:25:55,460 --> 00:25:57,230 BEST BET FOR THE TIME BEING 646 00:25:57,260 --> 00:25:59,130 IS FOR ALL OF US TO GO IN THERE 647 00:25:59,160 --> 00:26:01,730 AND GET THE TRUTH ONCE AND FOR ALL. 648 00:26:01,770 --> 00:26:03,340 THEN HE CAN GO HOME? 649 00:26:03,370 --> 00:26:05,840 WELL, THAT WOULD HAVE TO BE ASSESSED LATER, 650 00:26:05,870 --> 00:26:08,500 BUT IT’S EVERYONE’S STRONGEST WISH FOR YOUR SON. 651 00:26:12,780 --> 00:26:14,990 UP, GENIUS. 652 00:26:18,280 --> 00:26:20,250 ALL RIGHT, SIT. COME ON. 653 00:26:20,280 --> 00:26:22,520 LET’S CHAT ABOUT THAT NIFTY LITTLE OPERATION 654 00:26:22,550 --> 00:26:24,420 YOU GOT GOING. 655 00:26:24,460 --> 00:26:26,300 CRACK IN THE FRONT, WHORES IN THE BACK ‐‐ 656 00:26:26,320 --> 00:26:27,520 REAL NICHE SORT OF A PLACE. 657 00:26:27,560 --> 00:26:28,920 I WAS THERE SEEING A FRIEND. 658 00:26:28,960 --> 00:26:30,790 WAS THIS FRIEND THE ONE THAT TALKED YOU 659 00:26:30,830 --> 00:26:31,960 INTO BRANCHING INTO KIDNAPPING? 660 00:26:32,000 --> 00:26:33,040 I DON’T FOLLOW. 661 00:26:33,060 --> 00:26:34,930 THE CONTENTS OF YOUR POCKET, BILLY ‐‐ 662 00:26:34,970 --> 00:26:36,470 ATM CARD AND IRS CREDENTIALS 663 00:26:36,500 --> 00:26:37,830 FOR VICTOR POOLE. 664 00:26:37,870 --> 00:26:39,300 SAY YOU FOUND THEM, AND IN TWO SECONDS 665 00:26:39,340 --> 00:26:41,210 HE’LL BE PICKING YOU OUT OF A LINEUP. 666 00:26:41,240 --> 00:26:44,370 LOOK, AM I GOING TO INCRIMINATE MYSELF 667 00:26:44,410 --> 00:26:46,840 IF I TALK ABOUT MY BUSINESS? 668 00:26:46,880 --> 00:26:48,840 THE PLACE YOU WERE JUST VISITING? 669 00:26:48,880 --> 00:26:50,980 CAN I SPEAK FREELY ON IT? 670 00:26:51,020 --> 00:26:53,120 SHOOT. 671 00:26:53,150 --> 00:26:55,450 I KNOW VICTOR POOLE, AND VICTOR POOLE IS A MENACE. 672 00:26:55,490 --> 00:26:56,960 HOW IS HE A MENACE TO YOU? 673 00:26:56,990 --> 00:26:59,490 HE SPENT THREE DAYS BANGING WHORES TWO AT A TIME, 674 00:26:59,520 --> 00:27:01,020 SMOKED UP $1,500 IN ROCK, 675 00:27:01,060 --> 00:27:03,360 AND DIDN’T HAVE A DIME TO PAY FOR ANY OF IT. 676 00:27:03,390 --> 00:27:04,890 HE’S A MENACE. HE’S BANNED. 677 00:27:04,930 --> 00:27:07,530 EXPLAIN YOU RIPPING OFF HIS ATM. 678 00:27:07,570 --> 00:27:09,840 HE SAYS I RIPPED HIM OFF? SON OF A ‐‐ 679 00:27:09,870 --> 00:27:12,030 HE GIVE ME HIS WALLET AND HIS PIN, 680 00:27:12,070 --> 00:27:14,240 THEN PUT IT ON ME TO COVER HIS NUT. 681 00:27:14,270 --> 00:27:15,870 WE GOT WITNESSES WHO WILL I. D. YOU 682 00:27:15,910 --> 00:27:17,350 GRABBING POOLE OFF 5th AVENUE 683 00:27:17,380 --> 00:27:18,850 AND THROWING HIM INTO YOUR VAN. 684 00:27:18,880 --> 00:27:20,420 I DON’T KNOW ANYTHING ABOUT THAT. 685 00:27:20,440 --> 00:27:22,040 OKAY, YOU’VE HAD YOUR FUN, BILLY. 686 00:27:22,080 --> 00:27:23,410 YOU TOLD YOUR LITTLE STORY. 687 00:27:23,450 --> 00:27:25,060 NOW CAN WE BE SERIOUS? 688 00:27:25,080 --> 00:27:27,580 FELLAS ‐‐ THERE’S A POSSIBLE DEAL ON THE TABLE, 689 00:27:27,620 --> 00:27:29,320 AND THERE’S TWO ASSHOLES VYING FOR IT. 690 00:27:29,350 --> 00:27:31,390 NOW START TALKING SENSE AND YOU TAKE THE DEAL 691 00:27:31,420 --> 00:27:33,220 OR WE GO GET TOM AND GIVE IT TO HIM. 692 00:27:33,260 --> 00:27:35,170 HE’S GOING TO TELL YOU EXACTLY WHAT I SAID. 693 00:27:35,190 --> 00:27:36,360 POOLE IS A SWINE. 694 00:27:36,390 --> 00:27:38,790 UP, IDIOT. WE’RE TRADING YOU IN. 695 00:27:43,400 --> 00:27:44,700 THINGS ANY DIFFERENT 696 00:27:44,740 --> 00:27:47,350 WITH YOUR FATHER IN THE ROOM, ANTHONY? 697 00:27:47,370 --> 00:27:49,270 I STILL DIDN’T DO ANYTHING. 698 00:27:49,310 --> 00:27:52,420 LAST NIGHT WERE YOU AT THE MOVIES LIKE YOU SAID? 699 00:27:52,440 --> 00:27:53,580 YEAH. 700 00:27:53,610 --> 00:27:55,880 Greg: WHO’D YOU GO TO THE MOVIES WITH? 701 00:27:55,910 --> 00:27:58,110 JIMMY REID. 702 00:27:58,150 --> 00:27:59,850 MR. WOODSIDE, WOULD YOU MIND 703 00:27:59,880 --> 00:28:02,350 IF WE WENT BACK INTO THE SQUAD A MOMENT, 704 00:28:02,390 --> 00:28:04,360 CALL JIMMY’S MOM, SEE IF SHE’LL CONFIRM? 705 00:28:04,390 --> 00:28:07,360 Baldwin: OR IS THAT A WASTE OF TIME? 706 00:28:07,390 --> 00:28:10,430 DID YOU TAKE FOOD FROM A DELIVERY MAN? 707 00:28:10,460 --> 00:28:11,760 NO. 708 00:28:11,800 --> 00:28:13,740 HE’S LYING. YOU’RE LYING. 709 00:28:13,770 --> 00:28:16,610 I’M NOT. I KNOW YOU WELL ENOUGH TO KNOW WHEN YOU’RE LYING. 710 00:28:16,640 --> 00:28:17,880 WHAT THE HELL MADE YOU STEAL FOOD? 711 00:28:17,900 --> 00:28:19,070 WE’VE GOT A FRIDGE FULL OF FOOD! 712 00:28:19,100 --> 00:28:20,600 [ CRYING SOFTLY ] 713 00:28:20,640 --> 00:28:22,070 I’M SORRY, POP. 714 00:28:22,110 --> 00:28:24,480 GET YOUR HEAD UP! MAN MAKES A MISTAKE, 715 00:28:24,510 --> 00:28:26,370 HE STANDS UP FOR IT. 716 00:28:26,410 --> 00:28:27,910 ANTHONY, START BY SAYING 717 00:28:27,950 --> 00:28:30,060 HOW IT WAS SUPPOSED TO GO DOWN. 718 00:28:30,080 --> 00:28:33,820 SYLVIA WAS GOING TO MAKE THE CALL, 719 00:28:33,850 --> 00:28:35,580 AND WHEN THE GUY SHOWED, 720 00:28:35,620 --> 00:28:38,090 I WAS JUST GOING TO PUT THE GARBAGE BAG OVER HIS HEAD 721 00:28:38,120 --> 00:28:39,390 WHILE SHE TOOK THE FOOD. 722 00:28:39,420 --> 00:28:42,720 THAT’S NOT QUITE HOW IT WENT, THOUGH, RIGHT? 723 00:28:42,760 --> 00:28:44,060 DID THE MAN RESIST YOU, ANTHONY? 724 00:28:44,100 --> 00:28:46,070 WHEN I PUT THE BAG ON HIM, 725 00:28:46,100 --> 00:28:47,310 HE GRABBED SYLVIA. 726 00:28:47,330 --> 00:28:50,230 THEN YOU SET TO FIGHTING HIM OFF? 727 00:28:50,270 --> 00:28:51,600 I HIT HIM ON THE SHOULDER. 728 00:28:51,640 --> 00:28:53,510 THIS IS THROUGH THE GARBAGE BAG? 729 00:28:53,540 --> 00:28:55,980 SO MAYBE, THINKING YOU WERE HITTING HIM ON THE SHOULDER, 730 00:28:56,010 --> 00:28:57,250 YOU COULD HAVE BEEN HITTING HIM ON THE HEAD? 731 00:28:57,280 --> 00:28:58,350 I DIDN’T MEAN TO. 732 00:28:58,380 --> 00:29:00,020 BUT WERE YOU USING YOUR FISTS, 733 00:29:00,040 --> 00:29:02,510 OR DID YOU HAVE SOMETHING IN YOUR HAND? 734 00:29:02,550 --> 00:29:04,860 Greg: MAYBE A PIECE OF CONCRETE? 735 00:29:04,880 --> 00:29:06,780 YOU HIT THE MAN WITH CONCRETE? 736 00:29:06,820 --> 00:29:09,020 JUST TILL HE LET GO OF HER. 737 00:29:09,050 --> 00:29:10,420 HOW BAD IS THE MAN HURT? 738 00:29:10,450 --> 00:29:12,790 WE’RE STILL WAITING TO HEAR FROM THE HOSPITAL. 739 00:29:12,820 --> 00:29:15,320 WHAT HAPPENED AFTER THE MAN LET GO OF SYLVIA? 740 00:29:15,360 --> 00:29:16,590 I TOOK THE FOOD 741 00:29:16,630 --> 00:29:19,260 AND WE RAN INTO THIS BUILDING OFF AVENUE "A" 742 00:29:19,300 --> 00:29:21,710 WHERE WE COULD GET INTO THE BASEMENT. 743 00:29:21,730 --> 00:29:23,200 WHAT DID YOU DO THEN? 744 00:29:23,230 --> 00:29:24,870 WE ATE THE FOOD. 745 00:29:24,900 --> 00:29:26,300 OH, MY GOD. 746 00:29:26,340 --> 00:29:27,880 I WAS JUST TRYING TO TAKE THE FOOD. 747 00:29:27,910 --> 00:29:29,380 I DIDN’T THINK IT MATTERED. 748 00:29:29,410 --> 00:29:31,180 WHY WOULDN’T IT MATTER, BOY? 749 00:29:31,210 --> 00:29:32,970 ’CAUSE HE’S JUST A CHINKY‐EYED THIEF 750 00:29:33,010 --> 00:29:35,380 LIKE THE MAN AT THE BODEGA. 751 00:29:35,410 --> 00:29:37,280 WAIT. WHO’S THIS, NOW? 752 00:29:37,320 --> 00:29:38,820 THAT’S WHAT I CALL THE KOREAN GROCER 753 00:29:38,850 --> 00:29:40,280 WHO EYEBALLS YOU WHEN YOU COME IN. 754 00:29:40,320 --> 00:29:42,520 HE’S NOT SUPPOSED TO GO IN THERE, 755 00:29:42,550 --> 00:29:45,350 BUT I NEVER SAID STEAL FROM PEOPLE. 756 00:29:45,390 --> 00:29:47,620 IT WAS JUST A PRANK. 757 00:29:47,660 --> 00:29:48,720 WELL, IT’S NOT ANYMORE, 758 00:29:48,760 --> 00:29:50,560 AND YOU’VE GOT A LOT TO ANSWER FOR 759 00:29:50,600 --> 00:29:53,200 WHEN YOU GET HOME. WHEN CAN I TAKE HIM HOME? 760 00:29:53,230 --> 00:29:55,360 WE’LL HAVE TO RUN THIS BY OUR D. A. FIRST. 761 00:29:55,400 --> 00:29:57,030 THEN I CAN TAKE HIM HOME? 762 00:29:57,070 --> 00:29:59,740 WE HOPE SO, MR. WOODSIDE. MEANTIME, SIT TIGHT. 763 00:30:22,030 --> 00:30:24,670 DID HE FINISH WRITING THAT STATEMENT? 764 00:30:24,700 --> 00:30:25,670 JUST FINISHED. 765 00:30:25,700 --> 00:30:27,240 WELL, WHAT TIME DO YOU THINK 766 00:30:27,270 --> 00:30:29,040 I’LL BE ABLE TO TAKE HIM HOME? 767 00:30:29,070 --> 00:30:31,110 UH, WE NEED TO HAVE A CONVERSATION 768 00:30:31,140 --> 00:30:33,080 ABOUT THAT, MR. WOODSIDE. 769 00:30:35,810 --> 00:30:38,750 I’LL GET THE BALL ROLLING WITH CENTRAL BOOKING. 770 00:30:43,650 --> 00:30:45,110 THE FACT IS, 771 00:30:45,150 --> 00:30:48,280 YOU’RE NOT GOING TO BE TAKING ANTHONY HOME TODAY. 772 00:30:48,320 --> 00:30:50,720 HE’S BEING ARRESTED AND TAKEN TO CENTRAL BOOKING. 773 00:30:50,760 --> 00:30:52,260 WHAT DO YOU MEAN ARRESTED? 774 00:30:52,290 --> 00:30:53,720 HOW MUCH FOOD DID HE TAKE? 775 00:30:53,760 --> 00:30:55,120 IF THAT MAN WANTS ME TO MAKE IT UP TO HIM, 776 00:30:55,160 --> 00:30:56,260 I’M HAPPY TO DO IT. 777 00:30:56,290 --> 00:30:59,130 MR. WOODSIDE, THE MAN YOUR SON ROBBED DIED 778 00:30:59,160 --> 00:31:01,230 AS A RESULT OF HIS INJURIES. 779 00:31:01,270 --> 00:31:03,470 THE MAN DIED? 780 00:31:03,500 --> 00:31:05,530 SO YOUR SON’S BEING CHARGED WITH A ROBBERY/HOMICIDE. 781 00:31:05,570 --> 00:31:08,470 YOU MADE ME THINK HE WAS COMING HOME. THAT’S NOT THE CASE. 782 00:31:08,510 --> 00:31:10,280 YOU HAD TO KNOW HIS INJURIES WERE BAD. 783 00:31:10,310 --> 00:31:11,870 YOU MAY WANT TO GET YOUR SON AN ATTORNEY NOW. 784 00:31:11,910 --> 00:31:12,870 HE WOULD HAVE HAD ONE TWO HOURS AGO 785 00:31:12,910 --> 00:31:14,240 IF IT HADN’T BEEN FOR YOU. 786 00:31:14,280 --> 00:31:16,580 YOU KNOW, I CAN UNDERSTAND THAT WHITE COP LYING TO US, 787 00:31:16,620 --> 00:31:18,460 BUT YOU’RE A BLACK MAN. WE’RE BLACK FOLKS. 788 00:31:18,480 --> 00:31:20,150 I KNOW THAT, MR. WOODSIDE. 789 00:31:20,180 --> 00:31:23,280 OUR A. D. A. WILL BE BY TO TALK TO YOU AND ANTHONY. 790 00:31:23,320 --> 00:31:25,550 BOY, DIDN’T ANYONE EVER TEACH YOU ANY PRIDE? 791 00:31:25,590 --> 00:31:28,060 IS THAT WHAT YOU WERE TEACHING YOUR SON 792 00:31:28,090 --> 00:31:29,460 WITH THAT KOREAN GROCER? 793 00:31:29,490 --> 00:31:32,990 I JUST SAID DON’T PATRONIZE THE MAN. 794 00:31:33,030 --> 00:31:34,230 AND YOU CALLED HIM A CHINKY‐EYED THIEF. 795 00:31:34,270 --> 00:31:35,570 YOU DON’T THINK THAT PLAYED IN? 796 00:31:35,600 --> 00:31:38,100 I WAS TEACHING MY SON TO BE A PROUD BLACK MAN. 797 00:31:38,140 --> 00:31:39,410 AND YOU ENDED UP TEACHING HIM 798 00:31:39,440 --> 00:31:40,450 TO THINK ABOUT THOSE FOLKS 799 00:31:40,470 --> 00:31:41,940 THE WAY WHITE TRASH THINKS ABOUT US, 800 00:31:41,970 --> 00:31:43,240 LIKE WE’RE ANIMALS, 801 00:31:43,270 --> 00:31:46,170 AND NOW A FAMILY’S LOST A HUSBAND AND FATHER. 802 00:31:46,210 --> 00:31:47,780 NOW, MAYBE WHAT HAPPENED ISN’T ALL ON YOU, 803 00:31:47,810 --> 00:31:49,010 MR. WOODSIDE, 804 00:31:49,050 --> 00:31:50,390 BUT I KNOW FOR SURE NONE OF IT’S ON ME. 805 00:31:55,620 --> 00:31:58,120 SO, TOM, HOW LONG HAVE YOU AND BILLY 806 00:31:58,160 --> 00:31:59,530 BEEN WORKING TOGETHER? 807 00:31:59,560 --> 00:32:01,360 A LITTLE WHILE. 808 00:32:01,390 --> 00:32:03,190 HE’S THE FAST‐TALKER OF THE PARTNERSHIP, 809 00:32:03,230 --> 00:32:05,440 WHILE YOU TAKE CARE OF THE SILENT, BROODING CHORES? 810 00:32:05,460 --> 00:32:07,430 HE TALKS FAST. 811 00:32:07,470 --> 00:32:09,210 YOU CONSIDER YOURSELVES FRIENDS? 812 00:32:09,230 --> 00:32:11,700 HE’S ALL RIGHT. 813 00:32:11,740 --> 00:32:13,380 HE SAYS YOU’RE AN IDIOT. 814 00:32:14,740 --> 00:32:16,770 DON’T STARE AT ME. HE SAID IT. 815 00:32:16,810 --> 00:32:18,210 HE SAYS THE KIDNAPPING WAS YOUR IDEA 816 00:32:18,240 --> 00:32:19,610 AND THAT YOU WERE GOING TO KILL HIM 817 00:32:19,640 --> 00:32:20,810 IF HE DIDN’T GO ALONG. 818 00:32:20,850 --> 00:32:22,220 YOU’RE LYING. 819 00:32:22,250 --> 00:32:23,890 HE’S CUTTING A DEAL WITH THE D. A. RIGHT NOW. 820 00:32:23,920 --> 00:32:25,220 HE’LL WALK IN A COUPLE OF YEARS, 821 00:32:25,250 --> 00:32:26,380 AND YOU’LL SPEND 822 00:32:26,420 --> 00:32:28,030 THE REST OF YOUR LIFE LOCKED UP. 823 00:32:28,050 --> 00:32:30,050 HE AIN’T CUTTING NO DEAL ’CAUSE WE DIDN’T DO NOTHING. 824 00:32:30,090 --> 00:32:31,990 THAT GUY WAS PARTYING. 825 00:32:32,020 --> 00:32:33,990 YET SOMEHOW HE PISS‐TESTED CLEAN FOR DRUGS 826 00:32:34,030 --> 00:32:36,740 AND THE TRANNY PROST WHO WORKED THEM BACK ROOMS 827 00:32:36,760 --> 00:32:38,390 NEVER SAW THE GUY BEFORE. 828 00:32:38,430 --> 00:32:40,860 AND TWO WITNESSES SAW YOU RUN UP ON POOLE 829 00:32:40,900 --> 00:32:42,900 ON 5th AVENUE AND CHOKE‐HOLD HIM 830 00:32:42,930 --> 00:32:43,900 INTO THE VAN. 831 00:32:43,940 --> 00:32:45,340 ALL OF WHAT WE JUST SAID, 832 00:32:45,370 --> 00:32:47,400 THAT’S WHAT GOT YOUR PARTNER THINKING, 833 00:32:47,440 --> 00:32:49,970 "MAYBE I’D BETTER START LOOKING OUT FOR NUMBER ONE 834 00:32:50,010 --> 00:32:51,870 AND SELL OUT THAT IDIOT FOR A SWEETHEART DEAL." 835 00:32:51,910 --> 00:32:54,480 HE SAID THAT? 836 00:32:54,510 --> 00:32:56,810 IF HE WAS LYING ABOUT HOW THIS WAS YOUR IDEA, 837 00:32:56,850 --> 00:32:59,350 YOUR TESTIFYING TO THAT COULD VOID HIS DEAL. 838 00:32:59,380 --> 00:33:01,720 LEAVING YOU FREE TO MAKE YOUR OWN DEAL. 839 00:33:01,750 --> 00:33:03,080 SO I WALK IN A FEW YEARS 840 00:33:03,120 --> 00:33:04,520 AND HE GETS DONE IN THE TAIL 841 00:33:04,560 --> 00:33:06,000 FOR THE REST OF HIS LIFE? 842 00:33:06,020 --> 00:33:07,720 MAYBE, BUT WE’VE GOT TO GET THINGS STRAIGHT 843 00:33:07,760 --> 00:33:08,860 BEFORE YOU GET ANYTHING. 844 00:33:11,860 --> 00:33:13,700 WHOA! 845 00:33:13,730 --> 00:33:15,760 [ SIGHS ] 846 00:33:15,800 --> 00:33:18,700 WASN’T MY IDEA. IT WAS HIS IDEA. 847 00:33:18,740 --> 00:33:20,510 WHAT WAS THE IDEA? 848 00:33:20,540 --> 00:33:22,700 GRAB SOME GUY LOOKS LIKE HE HAS DOUGH 849 00:33:22,740 --> 00:33:24,340 AND TAKE IT. 850 00:33:24,380 --> 00:33:26,350 [ CHUCKLES ] 851 00:33:26,380 --> 00:33:28,590 SO, UH, YOU GRABBED THIS IRS LAWYER 852 00:33:28,610 --> 00:33:30,950 BECAUSE HE LOOKED LIKE SOME GUY WHO MIGHT HAVE DOUGH? 853 00:33:30,980 --> 00:33:32,010 YEAH, AND HE DOES. 854 00:33:32,050 --> 00:33:34,380 ATM SAYS HE’S GOT, LIKE, 8 GRAND. 855 00:33:34,420 --> 00:33:35,880 THAT WHY YOU KEPT HIM THREE DAYS, 856 00:33:35,920 --> 00:33:37,120 TO BLEED HIS ACCOUNT? 857 00:33:39,120 --> 00:33:41,260 FEED HIM 5 BUCKS OF GRUB A DAY, 858 00:33:41,290 --> 00:33:43,890 HE SPITS BACK 500. 859 00:33:46,260 --> 00:33:48,630 CASH COW. WHY’D YOU END IT? 860 00:33:48,670 --> 00:33:50,580 BILL FOUND HIS I. D. UNDER THE MATTRESS ‐‐ 861 00:33:50,600 --> 00:33:52,030 FLIPPED, FREAKED OUT. 862 00:33:52,070 --> 00:33:53,030 WHAT HAPPENED? 863 00:33:53,070 --> 00:33:54,540 HE SAID, "WAKE HIM UP. 864 00:33:54,570 --> 00:33:55,970 WE’VE GOT TO GET HIM OUT OF HERE," 865 00:33:56,010 --> 00:33:58,280 AND SO WE WERE BOTH SCARED TO DEATH, 866 00:33:58,310 --> 00:34:00,410 AND WE PUT HIM IN THE VAN 867 00:34:00,440 --> 00:34:02,710 AND DROVE HIM OVER BY TOMPKINS SQUARE PARK, 868 00:34:02,750 --> 00:34:05,060 AND BILLY WANTED TO WHACK HIM THEN, 869 00:34:05,080 --> 00:34:07,380 AND I SAID, "NO WAY! NO WAY! 870 00:34:07,420 --> 00:34:09,720 THIS IS OUR BOY HERE." 871 00:34:09,750 --> 00:34:11,290 THE LAWYER WAS YOUR BOY? 872 00:34:11,320 --> 00:34:13,090 WE WERE WITH HIM FOR THREE DAYS. 873 00:34:13,120 --> 00:34:14,120 WE FED HIM. 874 00:34:14,160 --> 00:34:15,490 WE EVEN TRIED TO GET HIM LAID. 875 00:34:15,530 --> 00:34:17,000 HE WASN’T INTO THAT. 876 00:34:17,030 --> 00:34:19,560 ANYWAY, I DIDN’T WANT TO WHACK HIM, 877 00:34:19,600 --> 00:34:22,360 SO I JUST OPENED THE VAN DOOR AND BOOTED HIM OUT. 878 00:34:25,600 --> 00:34:28,140 THAT KILL THAT PRICK BILLY’S DEAL OR WHAT? 879 00:34:28,170 --> 00:34:29,540 WRITE IT DOWN. 880 00:34:38,980 --> 00:34:41,520 I’M ASSISTANT DISTRICT ATTORNEY VALERIE HAYWOOD, 881 00:34:41,550 --> 00:34:43,450 AND I’M HERE TO GO OVER THE NEXT FEW STEPS 882 00:34:43,490 --> 00:34:45,330 IN YOUR CASE. 883 00:34:45,360 --> 00:34:46,700 I THOUGHT WE WERE GOING HOME. 884 00:34:46,730 --> 00:34:47,970 NO, MA’AM. 885 00:34:47,990 --> 00:34:49,690 SYLVIA’S BEING PLACED UNDER ARREST. 886 00:34:49,730 --> 00:34:52,690 SHE DIDN’T HAVE ANY PART IN STEALING THAT FOOD. 887 00:34:52,730 --> 00:34:54,460 ACTUALLY, BY KNOWING IT WOULD HAPPEN 888 00:34:54,500 --> 00:34:56,360 AS A RESULT OF THE PHONE CALL, 889 00:34:56,400 --> 00:34:57,800 SHE MADE HERSELF INVOLVED. 890 00:34:57,840 --> 00:35:00,380 YOU DIDN’T SAY THAT. 891 00:35:00,400 --> 00:35:02,700 WE WERE BUSY FIGURING OUT WHAT HAPPENED, MA’AM. 892 00:35:02,740 --> 00:35:04,440 MRS. DOBKIN, WHAT WE NEED TO DO NOW 893 00:35:04,480 --> 00:35:06,280 IS FOCUS ON WHAT’S HAPPENING NEXT. 894 00:35:06,310 --> 00:35:08,380 FIRST, YOU’RE GOING TO BE TAKEN TO CENTRAL BOOKING. 895 00:35:08,410 --> 00:35:10,880 I’LL TRY TO GET HER ARRAIGNED AT NIGHT COURT, 896 00:35:10,920 --> 00:35:12,720 AND DEPENDING ON THE JUDGE, 897 00:35:12,750 --> 00:35:13,950 HOPEFULLY A REASONABLE BAIL WILL BE SET. 898 00:35:13,990 --> 00:35:15,960 DOES THAT MEAN IT PROBABLY WON’T BE? 899 00:35:15,990 --> 00:35:18,860 NORMALLY THERE’S NO BAIL ON A MURDER CHARGE, 900 00:35:18,890 --> 00:35:20,290 BUT IT DEPENDS. 901 00:35:20,320 --> 00:35:22,360 MURDER CHARGE? WHAT ARE YOU TALKING ABOUT? 902 00:35:23,700 --> 00:35:28,140 THE DELIVERY MAN WAS KILLED IN THE ROBBERY. 903 00:35:28,170 --> 00:35:29,340 OH, MY GOD. 904 00:35:29,370 --> 00:35:31,380 SO SHE’S GOT A MURDER CHARGE? 905 00:35:31,400 --> 00:35:33,300 BUT WHY HAS SHE GOT ANYTHING? 906 00:35:33,340 --> 00:35:35,210 SHE JUST MADE A PHONE CALL. 907 00:35:35,240 --> 00:35:36,400 LIKE I SAID BEFORE ‐‐ 908 00:35:36,440 --> 00:35:37,710 SO BY COOPERATING WITH YOU, 909 00:35:37,740 --> 00:35:39,210 SHE PUT HERSELF IN JAIL? 910 00:35:39,240 --> 00:35:40,540 THAT’S UP TO A JUDGE, MA’AM. 911 00:35:40,580 --> 00:35:41,640 WHAT HAVE YOU DONE? 912 00:35:41,680 --> 00:35:43,310 SHE WAS INVOLVED IN A CRIME 913 00:35:43,350 --> 00:35:45,560 THAT TURNED INTO A MURDER, MRS. DOBKIN. 914 00:35:45,580 --> 00:35:47,050 WE TRUSTED YOU, 915 00:35:47,090 --> 00:35:49,560 AND YOU LIED STRAIGHT TO OUR FACE. 916 00:35:49,590 --> 00:35:51,890 I SAID WE’D DO OUR BEST TO GET HER HOME. 917 00:35:51,920 --> 00:35:53,250 YOU LIED! 918 00:35:53,290 --> 00:35:54,590 SHE MADE A PHONE CALL! 919 00:35:54,630 --> 00:35:56,700 SHE DIDN’T MEAN TO HURT ANYBODY! 920 00:35:56,730 --> 00:35:58,260 WELL, IN THE EYES OF THE LAW, MA’AM ‐‐ 921 00:35:58,300 --> 00:36:00,770 YOU KNEW YOU WERE PUTTING THIS GIRL IN JAIL, 922 00:36:00,800 --> 00:36:03,230 AND YOU LIED TO DO IT. I’M RIGHT, AREN’T I? 923 00:36:03,270 --> 00:36:05,780 SHE’S GOING TO JAIL. 924 00:36:05,800 --> 00:36:07,340 PROBABLY. 925 00:36:07,370 --> 00:36:08,440 FOR HOW LONG? 926 00:36:08,470 --> 00:36:10,410 I’LL RECOMMEND A MANSLAUGHTER CHARGE 927 00:36:10,440 --> 00:36:12,070 TO MY BUREAU CHIEF, 928 00:36:12,110 --> 00:36:14,110 AND THE JUDGE MAY TAKE HER AGE INTO CONSIDERATION, 929 00:36:14,150 --> 00:36:15,950 BUT SHE’S LOOKING AT A MINIMUM OF FOUR YEARS. 930 00:36:15,980 --> 00:36:18,210 OH, MY GOD. GRANDMA! 931 00:36:18,250 --> 00:36:20,380 SENTENCING IS REALLY UP TO A JUDGE, MA’AM. 932 00:36:20,420 --> 00:36:22,250 COWARD. 933 00:36:23,820 --> 00:36:25,220 SHAME ON YOU. 934 00:36:25,260 --> 00:36:26,230 SHAME ON ALL OF YOU. 935 00:36:39,070 --> 00:36:41,070 SOMETHING HAPPEN WITH THESE PEOPLE 936 00:36:41,110 --> 00:36:43,410 THAT’S GOING TO BITE ME DOWN THE LINE? 937 00:36:43,440 --> 00:36:45,940 I DIDN’T MAKE ANY PROMISES OR GUARANTEE ANY DEALS. 938 00:36:45,980 --> 00:36:47,090 I JUST SAID WE’D DO OUR BEST 939 00:36:47,110 --> 00:36:48,480 TO GET HER HOME AS SOON AS POSSIBLE. 940 00:36:48,510 --> 00:36:50,580 KNOWING WHAT SHE WAS UP AGAINST? 941 00:36:50,620 --> 00:36:52,420 THAT’S HOW WE WORK HOMICIDES, 942 00:36:52,450 --> 00:36:55,620 OR DON’T YOU KNOW THAT YET? 943 00:36:55,650 --> 00:36:57,250 I KNOW IT FINE, BALDWIN. 944 00:36:57,290 --> 00:36:58,620 THEN WHAT’S THE PROBLEM? 945 00:36:58,660 --> 00:37:00,670 IT DOESN’T BOTHER ME LYING TO CAREER CRIMINALS, 946 00:37:00,690 --> 00:37:02,260 BUT THESE ARE KIDS DOING A PRANK. 947 00:37:02,290 --> 00:37:04,090 YEAH, WELL, YOU TELL THAT TO THE DEAD GUY’S FAMILY. 948 00:37:04,130 --> 00:37:05,660 I’M NOT SAYING THEY SHOULDN’T BE PUNISHED, 949 00:37:05,700 --> 00:37:08,310 BUT THEY’RE NOT BAD KIDS. THEY JUST DID A BAD THING. 950 00:37:08,330 --> 00:37:09,570 YOU SEE THE DIFFERENCE. 951 00:37:09,600 --> 00:37:10,900 WHAT, SO I SHOULDN’T HAVE LIED? 952 00:37:10,940 --> 00:37:13,750 YOU DID WHAT YOU HAD TO DO. IT’S YOUR JOB. 953 00:37:13,770 --> 00:37:16,000 IT JUST OUGHT TO STING A LITTLE. 954 00:37:20,280 --> 00:37:23,180 IT STINGS A LOT. 955 00:37:24,720 --> 00:37:28,530 THAT’S THE KIND OF COP I WANT TO WORK WITH 956 00:37:28,550 --> 00:37:31,820 AND THE KIND OF MAN I WANT TO BE WITH. 957 00:37:41,070 --> 00:37:42,970 WE COLLARED UP ON THE KIDNAPPING. 958 00:37:43,000 --> 00:37:44,300 THE SECOND GUY FLOAT? 959 00:37:44,340 --> 00:37:46,340 WENT AT HIM WITH THE PARTNER’S STATEMENT. 960 00:37:46,370 --> 00:37:47,540 HE’S WRITING. 961 00:37:47,570 --> 00:37:48,800 COMPLAINANT. 962 00:37:48,840 --> 00:37:50,810 MR. POOLE, A. D. A. VALERIE HAYWOOD. 963 00:37:50,840 --> 00:37:53,540 I HEAR THERE’S SOME GOOD NEWS ON YOUR CASE. 964 00:37:53,580 --> 00:37:55,980 I ASSUME YOU NEED ME TO GIVE YOU A STATEMENT. 965 00:37:56,010 --> 00:37:57,050 TOMORROW WILL BE FINE. 966 00:37:57,080 --> 00:37:58,380 CALL MY OFFICE AND WE’LL SET IT UP. 967 00:37:58,420 --> 00:37:59,420 OKAY. 968 00:38:03,320 --> 00:38:05,720 YEAH, YOU’RE WELCOME. 969 00:38:07,490 --> 00:38:08,720 WAS THAT DIRECTED AT ME? 970 00:38:08,760 --> 00:38:10,890 IT WAS DIRECTED AT MY PARTNER, BUT SINCE YOU HEARD IT, 971 00:38:10,930 --> 00:38:13,030 I GOT A NEWS FLASH, VICTOR ‐‐ 972 00:38:13,060 --> 00:38:14,860 THEM WRITING THE STATEMENT MEANS THE CASE CLEARED. 973 00:38:14,900 --> 00:38:17,530 ARE YOU LOOKING FOR A PAT ON THE BACK? 974 00:38:17,570 --> 00:38:18,870 I’M JUST WONDERING IF YOU UNDERSTOOD 975 00:38:18,900 --> 00:38:20,070 THAT THIS IS A GOOD OUTCOME. 976 00:38:20,100 --> 00:38:22,140 AND I’M WONDERING IF MY SEXUAL ORIENTATION 977 00:38:22,170 --> 00:38:23,710 IS GOING TO BE IN THE "DAILY NEWS" TOMORROW. 978 00:38:23,740 --> 00:38:26,370 ACTUALLY, WE DECIDED TO KEEP THAT OUT OF THE PAPERWORK. 979 00:38:26,410 --> 00:38:27,710 DIDN’T SEEM RELEVANT. 980 00:38:27,750 --> 00:38:29,520 IS THAT AN ATTEMPT AT ASSUAGING YOUR GUILT? 981 00:38:29,550 --> 00:38:31,050 FOR WHAT? 982 00:38:31,080 --> 00:38:32,550 PUTTING ME ON TRIAL FOR BEING GAY. 983 00:38:32,580 --> 00:38:34,980 I DON’T THINK WE DID THAT. 984 00:38:35,020 --> 00:38:37,550 LOOK, MAYBE WE CAME AT YOU A LITTLE TOUGH, 985 00:38:37,590 --> 00:38:39,320 BUT THAT DIDN’T AFFECT HOW WE CONDUCTED THE CASE. 986 00:38:39,360 --> 00:38:42,230 YOU MADE ME FEEL LIKE THIS WHOLE MESS WAS MY FAULT. 987 00:38:42,260 --> 00:38:47,060 ALL RIGHT, SORRY IF YOUR FEELINGS ARE HURT. 988 00:38:47,100 --> 00:38:50,070 EXCUSE ME, MR. POOLE. IT’S NOT MY BUSINESS, 989 00:38:50,100 --> 00:38:51,430 BUT KNOWING DETECTIVE SIPOWICZ, 990 00:38:51,470 --> 00:38:52,530 THERE’S NO DOUBT IN MY MIND 991 00:38:52,570 --> 00:38:54,500 THAT ANY QUESTIONS YOU MAY HAVE BEEN ASKED 992 00:38:54,540 --> 00:38:56,840 OR DOUBTS THAT AROSE WERE PERTINENT TO THE CASE, 993 00:38:56,880 --> 00:38:58,720 AND I THINK THEY PROVED THAT BY SOLVING IT. 994 00:39:01,910 --> 00:39:04,050 YOU’RE GAY? YES. 995 00:39:04,080 --> 00:39:06,750 YOU’VE WORKED HERE A WHILE, YOU LIKE THEM, 996 00:39:06,790 --> 00:39:09,900 AND I’M SURE THEY LIKE YOU, BUT BEHIND YOUR BACK, 997 00:39:09,920 --> 00:39:13,760 THEY SAY AWFUL, NASTY THINGS ABOUT YOUR LIFESTYLE. 998 00:39:13,790 --> 00:39:15,590 I GUARANTEE IT. 999 00:39:37,780 --> 00:39:39,050 IS THAT YOU, ANDY? 1000 00:39:39,080 --> 00:39:40,650 YEAH. 1001 00:39:40,690 --> 00:39:41,930 HOW WAS YOUR DAY? 1002 00:39:41,950 --> 00:39:44,750 GOOD. WHERE’S THEO? 1003 00:39:44,790 --> 00:39:45,890 HE HAD A BATH 1004 00:39:45,920 --> 00:39:47,320 AND HE’S CHANGING INTO HIS JAMMIES. 1005 00:39:47,360 --> 00:39:48,390 DINNER’S ALMOST READY. 1006 00:39:48,430 --> 00:39:49,800 I’M GOING TO GO SAY HI. 1007 00:39:49,830 --> 00:39:51,760 OH, WHEN YOU COME BACK, YOU NEED TO TAKE A LOOK 1008 00:39:51,800 --> 00:39:54,170 AT SOME OF THESE PLACES I SAW TODAY. 1009 00:39:54,200 --> 00:39:56,800 THIS ONE I THINK YOU SHOULD GO SEE AFTER DINNER. 1010 00:39:56,840 --> 00:39:58,110 TONIGHT? 1011 00:39:58,140 --> 00:39:59,780 APARTMENTS GO LIKE LIGHTNING, ANDY. 1012 00:39:59,800 --> 00:40:01,270 TWO PLACES I LOOKED AT, 1013 00:40:01,310 --> 00:40:03,080 COUPLES BARRELED BY ME WITH CHECKBOOKS 1014 00:40:03,110 --> 00:40:04,480 AND GAVE DEPOSITS ON THE SPOT. 1015 00:40:04,510 --> 00:40:06,640 OKAY, I CAN GO SEE A FEW. 1016 00:40:06,680 --> 00:40:07,910 THE OPTION IS BROOKLYN. 1017 00:40:07,950 --> 00:40:09,450 I KNOW YOU’RE NOT THRILLED ABOUT IT. 1018 00:40:09,480 --> 00:40:10,680 I SAID I’LL GO. 1019 00:40:10,720 --> 00:40:12,420 YOU’VE HAD A LONG DAY. 1020 00:40:12,450 --> 00:40:14,750 I DON’T MEAN TO PUT PRESSURE ON. 1021 00:40:14,790 --> 00:40:16,760 NO, IT’S SOMETHING WE NEED TO DO. 1022 00:40:16,790 --> 00:40:18,190 WE NEED THE SPACE. 1023 00:40:18,220 --> 00:40:20,960 AND THE PRIVACY. 1024 00:40:20,990 --> 00:40:22,360 AND THE PRIVACY. 1025 00:40:22,390 --> 00:40:26,360 I JUST WANT TO BE LIKE A NORMAL, ENGAGED COUPLE ‐‐ 1026 00:40:26,400 --> 00:40:28,010 INTIMATE. 1027 00:40:28,030 --> 00:40:30,130 I’LL GO TONIGHT. 1028 00:40:30,170 --> 00:40:32,430 OH, ONE LAST THING. 1029 00:40:32,470 --> 00:40:34,840 TAKE A LOOK AT THIS. 1030 00:40:34,870 --> 00:40:37,710 IT’S A LIST OF POSSIBLE WEDDING GUESTS. 1031 00:40:37,740 --> 00:40:39,340 WELL, I JUST HAD SOME FREE TIME. 1032 00:40:39,380 --> 00:40:41,020 KATIE, YOU EVER HEARD THE PHRASE 1033 00:40:41,050 --> 00:40:42,320 "JUMPING THE GUN"? 1034 00:40:42,350 --> 00:40:43,890 I’M SORRY, ANDY. 1035 00:40:43,920 --> 00:40:46,690 WE HAVEN’T EVEN TALKED ABOUT WHAT KIND OF WEDDING OR WHERE. 1036 00:40:46,720 --> 00:40:48,350 AT ONE POINT, WE WERE EVEN TALKING 1037 00:40:48,390 --> 00:40:50,960 ABOUT A CIVIL CEREMONY, WHICH MEANS NO GUESTS AT ALL. 1038 00:40:50,990 --> 00:40:52,120 PLEASE KEEP YOUR VOICE DOWN. 1039 00:40:52,160 --> 00:40:54,030 I’M JUST SAYING WE NEED TO TALK ABOUT IT. 1040 00:40:54,060 --> 00:40:58,130 OKAY. I JUST GET EXCITED. 1041 00:40:58,160 --> 00:41:01,060 I THANK GOD FOR MY FORTUNE. 1042 00:41:08,770 --> 00:41:10,240 IT’S OKAY. 1043 00:41:10,270 --> 00:41:11,740 IT’S GOOD. 1044 00:41:11,780 --> 00:41:13,820 ARE YOU SURE? 1045 00:41:13,850 --> 00:41:17,260 YEAH. IT’S BEEN A LONG DAY. 1046 00:41:17,280 --> 00:41:20,750 I’M GOING TO GO SEE THEO NOW. 1047 00:41:25,760 --> 00:41:27,230 DADDY! 1048 00:41:27,260 --> 00:41:29,220 HEY, BUDDY. 1049 00:41:29,260 --> 00:41:31,330 WHAT HAPPENED TO YOUR SHIRT? 1050 00:41:31,360 --> 00:41:33,330 WHOA! 1051 00:41:33,360 --> 00:41:35,330 Katie: TWO MINUTES TILL DINNER! 1052 00:41:35,370 --> 00:41:36,270 OKAY. 1053 00:41:45,580 --> 00:41:47,750 [ BOTH LAUGHING ] 1054 00:41:47,780 --> 00:41:49,880 YOU CAN, UH, PUT THOSE ANYWHERE. 1055 00:41:49,910 --> 00:41:51,750 WHAT DO YOU THINK THEY TAKE, 1056 00:41:51,780 --> 00:41:53,850 BIRDS OF PARADISE, SUN OR SHADE? 1057 00:41:53,890 --> 00:41:56,230 WELL, GIVEN THE NAME, I’D GUESS SUN. 1058 00:41:56,250 --> 00:41:59,350 THAT’S WHY YOU’RE THE DETECTIVE. 1059 00:41:59,390 --> 00:42:01,860 THIS IS A BEAUTIFUL PLACE, DIANE. 1060 00:42:01,890 --> 00:42:03,390 THANKS. YOU WANT TEA? 1061 00:42:03,430 --> 00:42:04,800 OH, I’D BETTER NOT. 1062 00:42:04,830 --> 00:42:06,900 I’VE GOT A CLINIC AT 7:00. 1063 00:42:06,930 --> 00:42:09,530 WHAT ABOUT YOU, EARLY TOUR TOMORROW? 1064 00:42:09,570 --> 00:42:12,300 EARLY TOUR? LISTEN TO YOU. 1065 00:42:12,340 --> 00:42:14,250 WELL, I’VE PICKED UP A FEW THINGS 1066 00:42:14,270 --> 00:42:15,740 THE LAST COUPLE OF WEEKS. 1067 00:42:15,770 --> 00:42:17,740 PRETTY SOON I’LL BE REACHING OUT 1068 00:42:17,780 --> 00:42:19,150 AND MAKING COLLARS. 1069 00:42:19,180 --> 00:42:21,850 ALL YOU NEED IS A GUN ON YOUR HIP. 1070 00:42:26,820 --> 00:42:28,880 I DON’T REMEMBER YOU ANSWERING MY QUESTION. 1071 00:42:28,920 --> 00:42:33,050 UH, YEAH, I DO HAVE AN EARLY TOUR TOMORROW. 1072 00:42:33,090 --> 00:42:35,060 OKAY, THEN, I’LL, UH... 1073 00:42:35,090 --> 00:42:37,060 CALL YOU TOMORROW. 1074 00:42:37,100 --> 00:42:39,400 DEFINITELY. THANK YOU. 1075 00:42:39,430 --> 00:42:41,730 WHAT FOR? 1076 00:42:41,770 --> 00:42:43,270 OH, DINNER, FLOWERS, 1077 00:42:43,300 --> 00:42:46,570 GIVING ME THE TIME I NEED TO GET EASY WITH YOU. 1078 00:42:46,610 --> 00:42:49,680 I DON’T, UH, WANT TO RUSH ANYTHING. 1079 00:42:56,280 --> 00:43:00,220 OH, UH, WATCH YOUR BACK WITH THE SKELS. 1080 00:43:04,290 --> 00:43:09,260 WELL, UM, WILL YOU STAY A LITTLE WHILE? 1081 00:43:09,290 --> 00:43:11,230 ARE YOU SURE?